HERE IS PHINEAS NEWBORN / 1958 Atlantic jazz LP
  $   33

 


$ 33 Sold For
Jan 4, 2010 Sold Date
Dec 25, 2009 Start Date
$   8 Start price
4   Number Of Bids
  USA Country Of Seller
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Description

HERE IS PHINEAS
1958 Atlantic LP

One of the most technically skilled and brilliant pianists in jazz during his prime, Phineas Newborn remains a bit of a mystery. Plagued by mental and physical problems of unknown origin, Newborn faded from the scene in the mid-'60s, only to re-emerge at irregular intervals throughout his life. Newborn could be compared to Oscar Peterson in that his bop-based style was largely unclassifiable, his technique was phenomenal, and he was very capable of enthralling an audience playing a full song with just his left hand.

He started out working in Memphis R&B bands with his brother, guitarist Calvin Newborn, and recorded with local players including B.B. King in the early '50s. Brief stints with Lionel Hampton and Willis Jackson preceded a period in the military (1952-1954). After moving to New York in 1956, Newborn astounded fans and critics alike. Although he worked briefly with Charles Mingus (1958) and Roy Haynes, Newborn usually performed at the head of a trio or quartet.

Other than two numbers cut for the Progressive label in Houston a couple years earlier (and thus far never reissued), this Atlantic session was the recording debut for the remarkable Phineas Newborn. The 24-year-old pianist's playing on this trio/quartet date with bassist Oscar Pettiford and drummer Kenny Clarke (and occasionally guitarist Calvin Newborn) is virtuosic to say the least, on Oscar Peterson's level if not Art Tatum's.

Newborn rips through the repertoire (which is highlighted by "Barbados," "Celia," "Daahoud," and "Afternoon in Paris"); try to tap your foot to "Celia" without breaking your ankle! In the liner notes, George Wein faults Newborn's tendency to double time the ballads, and some listeners may shake their heads at his constant outpouring of technically impossible runs (those speedy octaves are ridiculous) -- but if one has chops on this level, one should feel free to display them. This is a dazzling debut from an ill-fated but classic pianist. [Scott Yanow – ALL MUSIC GUIDE]

THIS IS AN ORIGINAL US PRESSING ON ATLANTIC – DEEP GROOVE BLACK LABEL AS SHOWN. IT IS #1235.

LISTEN TO PART OF THIS RECORD HERE!



TRACK LISTING:

  • Barbados
    • All The Things You Are
    • The More I See You
    • Celia
    • Dahoud
    • Newport Blues
    • I’m Beginning To See The Light
    • Afternoon In Paris


    • CONDITION: NEAR MINT!


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