HOUND DOG TAYLOR & HOUSEROCKERS Beware Of The Dog LP SONET 1976 UK orig SNTF 701
€
20
$
23
€ 20
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Feb 1, 2020
Sold Date
Oct 21, 2019
Start Date
1
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Italy
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Description
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HOUND DOG TAYLOR
with BREWER PHILLIPS, guitar, vocal and TED HARVEY, drums
Alligator Records, Chicago's leading contemporary blues label, might never have been launched at all
if not for the crashing, slashing slide guitar antics of Hound Dog Taylor. Bruce Iglauer, then an employee
of Delmark Records, couldn't convince his boss, Bob Koester, of Taylor's potential, so Iglauer took matters
into his own hands. In 1971, Alligator was born for the express purpose
of releasing Hound Dog's debut album. We all know what transpired after that.
"BEWARE OF THE DOG!"
Tracks A3, B4 recorded live at Northwestern University, Evanston, Ill., January 18, 1974 for WXRT-FM, Chicago.
Tracks A1, A2, A4 to B3, B5 recorded live at the Smiling Dog Saloon, Cleveland, Ohio, Nov. 22-24, 1974, for WMMS-FM, Cleveland.
1976 LP SONET RECORDS SNTF 701
MADE IN ENGLAND ORIGINAL PRESSING
SINGLE COVER + COMPANY INNER SLEEVE
NOTES: with ALLIGATOR & SONET logos on front and back cover
Barcode and Other Identifiers
Barcode: none
LABEL: SONET - ORANGE/DARK RED LABEL - BLACK/WHITE TEXT
Catalog on cover: SNTF 701
Catalog on labels: SNTF 701 (SNTF 701A) / SNTF 701 (SNTF 701B)
Matrix / Runout (Side A): SNTF 701 A-1?G
Matrix / Runout (Side B): SNTF 701 B-1?G
On labels: ? Sonet Productions Ltd. 1976
Produced by Bruce Iglauer
Licensed by Alligator Records USA
All rights of the manufacturer........are prohibited
STEREO
On back cover: Notes by Bruce Iglauer
? © Sonet Productions Ltd 1976
Distributed in UK by Pye Records (Sales) Ltd
Made in England
tracklisting
Side A: GIVE ME BACK MY WIG - THE SUN IS SHINING - KITCHEN SINK BOOGIE
DUST MY BROOM - COMIN' AROUND THE MOUNTAIN
Side B: LET'S GET FUNKY - ROCK ME - IT'S ALRIGHT - FREDIE'S BLUES
grading
RECORD EX but (please, also read above description)
SLEEVE VG+ but (please, see pictures and read above description)
Beware of the Dog was Hound Dog Taylor's posthumous live album containing performances that are
even steamier than his first two studio albums, if such a notion is possible. For lowdown slow blues,
it's hard to beat the heartfelt closer "Freddie's Blues," and for surreal moments on wax,
it's equally hard to beat the funkhouse-turned-loony bin dementia of "Let's Get Funky"
or the hopped up hillbilly fever rendition of "Comin' Around the Mountain."...(AllMusic)
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