Happy Mondays ?Pills 'N' Thrills And Bellyaches 1990 FACT 320 VG+/VG+

	£		21
	$		27

Play tested on Thorens TD320 Mk2, fitted with Ortofon Bronze via Quad and Celestion Studio Monitors. Described upon listening - please ask if any other questions so as to avoid any misunderstanding.  Have a look at the photos and read descriptions carefully before bidding. Priced to sell. Excellent copy of original release with great condition sleeve version 2 and inner.
All records are packed carefully and dispatched promptly. 
Wikipedia Pills 'n' Thrills and Bellyaches is the third studio album by English alternative rock band Happy Mondays, released on November 27, 1990 by Factory Records. The band chose English DJ Paul Oakenfold and his frequent collaborator Steve Osbourne to produce the album based on their work on various remixes for the band's previous singles. It was recorded at Eden Studios in London throughout 1989 and early 1990. Unlike the band's previous album Bummed, Pills 'n' Thrills and Bellyaches incorporates a larger influence from house music through Oakenfold's production.
The album was the band's commercial breakthrough in the band's country of origin, propelling the Happy Mondays to the top of their commercial success amidst the height of the Madchester and baggy cultural scenes. Along with the Stone Roses' self-titled debut album, it is considered to be the centerpiece of the Madchester movement.
The original album cover for Pills 'n' Thrills and Bellyaches, designed by Central Station Design, consisted of a montage of popular children's sweet wrappers. The cover was changed for subsequent issues of the album following objections from the U.S. manufacturers, resulting in the new, somewhat plainer album cover. 
Stuart Maconie of NME hailed Pills 'n' Thrills and Bellyaches as "a tremendous record, and a gauntlet chucked at the feet of all the other would-be legends in town." In a contemporary review for The Village Voice, critic Robert Christgau cited "Grandbag's Funeral" and "Kinky Afro" as highlights but stated that "their Voidoids is hotter than their 'dance music'". In a retrospective review for AllMusic, Stephen Thomas Erlewine called Pills 'n' Thrills and Bellyaches a hedonistic album that was the peak of Happy Mondays' "career (and quite arguably the whole baggy/Madchester movement) ... a celebratory collage of sex, drugs, and dead-end jobs where there's no despair because only a sucker could think that this party would ever come to an end." Q magazine called it their "artistic peak" and a "top-hole album". In 2000, the magazine placed Pills 'n' Thrills and Bellyaches at number 31 in its list of the 100 Greatest British Albums Ever. In 2005, the album was voted the 51st greatest album of all time by Channel 4 viewers. The album was also included in the book 1001 Albums You Must Hear Before You Die.[17]
All tracks written by Shaun Ryder, Paul Ryder, Mark Day, Paul Davis and Gary Whelan except where noted.
1. "Kinky Afro" 3:59 2. "God's Cop" 4:58 3. "Donovan" 4:04 4. "Grandbag's Funeral" 3:20 5. "Loose Fit" 5:07 6. "Dennis and Lois" 4:24 7. "Bob's Yer Uncle" Happy Mondays, Paul Oakenfold, Steve Osborne 5:10 8. "Step On" John Kongos, Christos Demetriou 5:17 9. "Holiday" 3:28 10. "Harmony" 4:01

Goldmine Grades:

Mint (M)   Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, If at all.

Near Mint (NM or M-)   A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. 

Very Good Plus (VG+)   Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

Very Good (VG)   Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. 

Good (G), Good Plus (G+)   Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.

Poor (P), Fair (F)   Generally worth 0-5 percent of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.