Henrich Neuhaus piano 2LPs Brahms Schumann Kreisleriana op.16 Intermezzo 118,119
  $   20

 


$ 20 Sold For
Mar 8, 2017 Sold Date
Feb 24, 2017 Start Date
1 Number Of Bids
unknown Country Of Seller
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Description

matrix: 33D-019273/4 The first MELODIA press with double letters!!! GOST-61, mono, made in USSR!!!

Henrich Neuhaus - piano

R.Schumann
Frauenliebe und -leben (A Woman's Love and Life) Op.42 Nos.1-8
N. ROZHDESTVENSKAYA - soprano
Recordings from 1952

J.Brahms
Pieces, for piano, Op. 76, No. 1 Capriccio in F-sharp minor No. 3 Intermezzo in A-flat major No. 4 Intermezzo in B-flat major No. 5 Capriccio in C-sharp minor No. 6 Intermezzo in A major No. 7 Intermezzo in A minor No. 8 Capriccio in C major Recordings from 1947-1951
Henrich Neuhaus - piano
Robert Schumann Kreisleriana, Op. 16, is a composition in eight movements for solo piano.
Recordings from 1951


J.Brahms Intermezzo in A Major Op. 118, No. 2 Intermezzo in B minor Op. 119, No. 1  Intermezzo in E minor Op. 119, No. 2  

Recordings from 1947-1952


matrix: 33D-020199/200
MELODIA, GOST-68, mono, made in USSR!!!
A few words about negative feedback we received recently. This was from Yang Pei Yi (Taiwan) - remember this name he is hiding under 4 ebay id's as he told us! After he got his parcel, he started to complain even for about like-new record, He explained that his LP should be in PERFECT condition, but he bought vintage 60 y.o. record and did not read description to the end. He demanded refund and his words were "no compromise", we found this suspicious as he did neither reply us nor accept our alternative. So he started a paypal claim and got HUGE refund, and kept record. He did not ask paypal for full refund because he should have returned item, what he has never did. After he left us negative In the end we lost merchandise, money, and got negative. So here is how ebay protects their sellers and it is a shame on ebay!

These early pre-melodia records are highly in demand among collectors and audiophiles.  As it is TRUE VINTAGE ANALOGUE! The price will only increase!!! Please note this is 55+ years old record and it is in excellent shape.  This is really unique chance to get this highly collectors item in such  stunning condition!

Take this chance!


VERY RARE MELODIA PRESSINGS!!!

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Stanislav Neuhaus, Heinrich's son by his first wife Zinaida (who married Pasternak in 1931), was also a noted pianist; Stanislav Bunin is his grandson.
Heinrich Gustavovich Neuhaus (Russian: ??????? ??????????? ????????; 12 April [O.S. 31 March] 1888 – 10 October 1964) was a Soviet pianist and pedagogue of German extraction. He taught at the Moscow Conservatory from 1922 to 1964. He was made a People's Artist of the RSFSR in 1956. His pedagogic book The Art of Piano Playing (1958) is regarded as one of the most authoritative and most widely used treatments on the subject. He died in Moscow in 1964. He was born in Elisavetgrad (known since 2016 as Kropyvnytskyi), in present-day Ukraine. Although both his parents were piano teachers, he was largely self-taught. The biggest influences on his early artistic development came from his second cousin Karol Szymanowski (tutored by Heinrich's father, Gustav Neuhaus) and especially his uncle Felix Blumenfeld on his visits to his sisters' home. He also received some lessons from Aleksander Micha?owski. In 1902 he gave a recital in Elisavetgrad with the 11-year-old Mischa Elman and in 1904 gave concerts in Dortmund, Bonn, Cologne and Berlin. Subsequently he studied with Leopold Godowsky in Berlin and from 1909 until the outbreak of World War I at his master classes in Vienna Academy of Music. In 1912, Neuhaus attempted suicide by cutting a wrist. He had attended a concert in Berlin in which Arthur Rubinstein premiered his good friend Karol Szymanowski's piano sonata, and he left a suicide note saying that the concert had made clear to him that he would never be successful as a composer or a pianist and that he could not go on living, and was going to Florence, Italy to die. Szymanowski and Rubinstein hastily followed Neuhaus to Florence and tracked him down to a hospital, where he was recovering. In 1914 Neuhaus started teaching in Elisavetgrad and later Tbilisi (Tiflis) and Kiev (where he befriended Vladimir Horowitz). After having been temporarily paralyzed, Neuhaus was forced to halt his concert career in the interests of his pedagogical activities. In 1922 he began teaching at the Moscow Conservatory where he was also director between 1935 and 1937. When the Germans approached Moscow in 1941, he was imprisoned on suspicion of being a German spy, but released eight months later under pressure from Dmitri Shostakovich, Emil Gilels and others. His pupils there included Yakov Zak, Sviatoslav Richter, Emil Gilels, Anatoly Vedernikov, Tikhon Khrennikov, Galina Melikhova, Yevgeny Malinin, Lev Naumov, Tamara Guseva, Ryszard Bakst, Teodor Gutman, Vera Gornostayeva, Alexander Slobodyanik, Leonid Brumberg, Igor Zhukov, Oleg Boshniakovich, Anton Ginsburg, Valery Kastelsky, Gérard Frémy, Zden?k Hnát, Eliso Virsaladze, Alexei Lubimov, Aleksey Nasedkin, Vladimir Krainev, Berta Maranz, Evgeny Mogilevsky, Amalya Baiburtyan, Radu Lupu, Valentina Kameníková, Victor Derevianko, Vera Razumovskaya and Nina Svetlanova. Neuhaus was renowned for the poetic magnetism of his playing and for his artistic refinement. He was a lifelong friend of Boris Pasternak, and Osip Mandelshtam expressed his admiration for Neuhaus's playing in a poem. MAKE OFFERS!
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  • Condition of discs: MINT-; VG+
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