IE LP: John Fahey 180 gr Self Entitled - SEALED Rare 2003 Red Cross

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IE LP: John Fahey ~ 180 gr ~ Self Entitled - SEALED Rare 2003 Red Cross

Album as shown, grading is visual only:

Vinyl:  As New

Jacket :  As New

Inner Jacket: As New

Any Inserts:  As Noe

From the Web:

"Red Cross is the last consciously recorded 'new' John Fahey record. Intended for release in 2001 but met with delays following his ill health (and eventual death), Red Cross bookends an important discography, to say the least. In a manner perhaps typical of Fahey, this collection of self-produced pieces ends his career on a note both simple and probing. Ultimately, though, the prevailing tone is one of peaceful resolution and it is this feeling above all others that lends this session its haunting beauty. For the first time in years, we hear Fahey, if not without, then at least de-emphasizing the experimental, and at times downright menacing leanings, displayed on recordings such as Womblife and City of Refuge; favoring, instead, a more personal and reflective approach. Make no mistake, there are still a handful of effects and avant-garde dissonances on this recording but even these are used sparingly. This time, instead of being an end in and of themselves, these passages augment some of the most warm and vulnerable playing we've heard out of Fahey in a very long time. This is the sound of a man who, at the time of these recordings anyway, was only recently coming to grips with periods of his career he had all but disowned. Especially poignant is the cyclical "Charley Bradley's Ten Sixty-Six Blues," a tune which should remind listeners of moments as far back as "Sligo River Blues" from his 1963 album. On this piece we hear a refreshed and revitalized Fahey and little in the way of the clumsiness of which he has been accused in recent years. It is a piece rooted both in the traditions of American folk form and, interestingly, his own history. His most 'traditional' moment in some time now, this is the kind of tune listeners have become accustomed to hearing only on reissues and expensive LPs, and it stands out as perhaps this set's highlight. Otherwise, the standards "Summertime" and "I Remember" are handled in a similar, albeit deliberately paced, fashion while his own "Ananaias" is reminiscent of the style heard on albums such as 1971's America. "Untitled With Rain," on the other hand, is an informal seven-minute drone featuring two guitar tracks, organ, and an ambient room mic. This piece, though less aggressive, is especially reminiscent of the experiments heard on Womblife, while "Red Cross, Disciple of Christ Today," the album's second cut, sounds rather like Neil Young's score to the Jim Jarmusch film, Dead Man. All said, this probably isn't the place to begin investigating Fahey's immense body of work, but listeners unfamiliar with his more recent leanings will get an abbreviated taste of them here. A highly recommended, confusing, yet ultimately fitting end to a brilliant career."
-Allmusic.com

One source indicate this is one of 1000 copies

Please note I offer a 14 day money back guarantee on all sales

Please note if  you purchase more then one record, wait for an invoice as shipping is only $1.00 per each extra record.

Mint [M], or Still Sealed [SS]: Only sealed records will be deemed "Mint".

Near Mint [NM]: The record shows no obvious sign of wear, appearing unplayed. An LP jacket has no creases, folds, cuts, seam splits or any other noticeable similar defect. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.

Near Mint Minus [NM-], and [VG++]: Same as above, yet shows only faint paper scuffs on the surface only. A VG++ record will have a bit more light scuffs than a NM-, and less than a VG+. No noise from scuffs will be heard unless from the pressing itself (In general, vinyl records will have some faint background static). VG++ is for an LP with only a medium amount of paper scuffs, still no effect on play besides that of the pressing itself (no loud pops nor skips).

Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK yet will be noted. Besides light background noise, a VG+ record should have no loud pops nor skips. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise (no skips). Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. A VG- grading is when a record has even more wear and noise, but still plays with no skips.

Good [G], Good Plus [G+]: My lowest level, I do not list below this level unless exceptionally rare: A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. 

R4 / 505  (this number has nothing to do with the album - just so I know which box it is stored in)