ILHAN MIMAROGLU "Face The Windmills, Turn Left" LP, NM/G+
$
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
?lhan Mimaro?lu* ?– Face The Windmills, Turn Left
Label: Finnadar Records ?– SR 9012 Format: Vinyl, LPCountry: US Released: 1976 Genre: Electronic Style: Experimental
TracklistHide Credits
A1 Agony 9:06 A2 Le Tombeau D'Edgar Poe Lyrics By [Poem] – Stéphane MallarméVoice [Speaker] – Erdem Buri 7:04 A3 Bowery Bum 2:43 A4 Intermezzo 3:02 Preludes For Magnetic Tape B1 Prelude No. 1 2:50 B2 Prelude No. 2 2:24 B3 Prelude No. 6 2:14 B4 Prelude No. 9 2:15 B5 Prelude No. 11 3:03 B6 Prelude No. 12 Lyrics By [Poem] – Orhan Veli*Voice [Speaker] – Güngör Bozkurt 2:31 B7 Prelude No. 14 3:42 B8 Prelude No. 16 Lyrics By [Poem] – Nâzim HikmetOther [Translation] – ?lhan Mimaro?luVocals – Janis Siegel 2:01Credits
- Artwork By – Burhan Do?ançay
- Composed By, Performer [Realized], Other [Liner Notes] – ?lhan Mimaro?lu*
- Mastered By – George Piros
Notes
Track A1 is Visual Study No. 4 after Arshile Gorky.Track A3 is Visual Study No. 3 after Jean Dubuffet.
Track B3 is "Face The Windmills, Turn Left".
All selections were composed and realized by ?lhan Mimaro?lu in the studios of the Columbia-Princeton Electronic Music Center, New York, N.Y., are recorded in revised versions of 1976 specially prepared for this album and are published by Seesaw Music, ASCAP.
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MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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