HELLO YOU ARE LOOKING TO BUY A
INGRAM MARSHALL LP Fog Tropes Gradual Requiem ORIGINAL 1984 USA PRIVATE PRESSING CLASSICAL

   .THIS ITEMS LP  IS IN VG SHAPE.LIGHT PLAY MARKS WITH SOME SLEEVE MARKS  . LABEL IS IN VG+  SHAPE SOME SPINDLE MARKS  .THE JACKET IS VG shape , SMALL  RUBBING TO CORNERS SOME LITTLE RING WEAR RUBBING TO SEEMS LOOKS LIKE AN OLD STICKER WAS REMOVED BACK COVER SMALL TEAR  . INSERT IS VG+ CONDITION     .ITEM COMES STORED IN POLYBAG
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Ingram Marshall's subdued soundscapes are constructed of simple materials and laid out in a rather transparent manner, but the cumulative effect of his music is much harder to pin down. His echoing sonorities and overlapping textures create a haunting ambience that lingers in the mind, and the sustained air of mystery and desolation in his work can affect the emotions almost on a subliminal level. There is nothing remarkable or original about the basic plan of Fog Tropes, which involves the blending of a brass sextet with prerecorded sounds of fog horns, seagulls, and voices. But the subtle handling of overtones and the seamless timing of entrances and diminuendos fosters an illusion of real spatial relationships that the listener's imagination supplies. Slipping from darkness to light and back again, the Gradual Requiem employs minor triads, pentatonic scales, and layered pitches in a series of meditative movements that suggest a spiritual journey. Although Marshall does not use the text of the Requiem Mass, he expresses bereavement through somber timbres and slowly unfolding sequences that induce a reverential mood. Gambuh I, for gambuh (Balinese flute), synthesizer, and tape delay has no explicit program, but its dark coloration and softly dissolving sounds place it among Marshall's most introspective pieces.

Ingram Marshall ?– Fog Tropes / Gradual Requiem

Tracklist

Companies etc

• Phonographic Copyright (p) – New Albion Records, Inc.
• Copyright (c) – New Albion Records, Inc.
• Published By – IBU Music
• Recorded At – Tres Virgos Studios
• Recorded At – Mobius Music
• Mixed At – Mobius Music

Credits

• Conductor – John Adams (tracks: A1)
• Design [Album] – Alison Allen
• Engineer – Lolly Lewis (tracks: A1), Oliver diCicco (tracks: A2 to B3), Robert Missbach (tracks: A1)
• French Horn – Brian McCarty (tracks: A1), William Klingelofer* (tracks: A1)
• Liner Notes [The Music Of Ingram Marshall: A Personal View] – John Adams
• Mandolin – Foster Reed (tracks: A2 to B3)
• Photography By – Jim Bengston
• Trombone – Don Kennelly (tracks: A1), Marc Kenley (tracks: A1)
• Trumpet – Jim Miller (tracks: A1), Tim Wilson (tracks: A1)
• Voice, Piano, Electronics [Serge Modular] – Ingram Marshall (tracks: A2 to B3)

Notes