INSECT TRUST HOBOKEN SATURDAY NIGHT RARE ORIG '70 ATCO EAST COAST PSYCH LP NM

$

73

WE CURRENTLY HAVE  NEARLY 500  LISTED ITEMS

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·       INSECT TRUST - HOBOKEN SATURDAY NIGHT – ORIGINAL 1970 ATCO STEREO LP SD-33-313

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW ATCO LABEL WITHOUT WEA LOGO ALONG THE LABEL’S EDGE AND WITH BROADWAY, NY ADDRESS (LATE 60’s STYLE)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 7.

·       CLEAN, WEAR-FREE LABELS

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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How could a combo named the Insect Trust be anything other than eclectic? Hoboken Saturday Night (1970) was the second of two platters from an interesting aggregate whose core consisted of multi-instrumentalists Luke Faust (harmonica, banjo, electric piano, fiddle), Trevor Koehler (baritone sax, soprano sax, piccolo, sewer drum, flute), Robert Palmer (alto sax, clarinet, recorder) [note: Palmer should not be confused with the British vocalist; however, this is the music journalist], Nancy Jeffries (vocals), and Bill Barth (lead guitar, steel guitar). The rhythm section was fleshed out by a sizable and equally diverse coterie of session musicians such as jazz legend Elvin Jones (drums), Bernard "Pretty" Purdie (drums), Charles "Buddy" Nealy (drums), Donald MacDonald (drums), William Folwell (bass, trumpet), Bob Bushnell (bass), Ralph Casale (rhythm guitar), and Hugh McCracken (rhythm guitar). Collectively, they touched upon facets of the singer/songwriter, psychedelic, and folk-rock subgenres, while somehow eluding them all. The opening short and slightly demented "Be a Hobo" is a precursor to the non-traditional nature of the proceedings. Although undoubtedly a tongue-in-cheek nod to the local New Jersey social scene via the band's hazy perspective, "Hoboken Saturday Night" is a straight-ahead rocker that sums up the carefree funky mood in the line "We might as well get down as long as we're down here." The rural vibe of "Ragtime Millionaire" recalls Jefferson Airplane's "The Farm," with Jeffries' personable vocals undeniably reminiscent of Grace Slick. Koehler's "Somedays" provides a frenetic and pulsating disparity with a raw sound and horn arrangement that comes off like a cross between early Captain Beefheart, Love, and the Tijuana Brass. Trippier is the lengthy noir waltz "Our Sister the Sun," highlighted by Jeffries' ethereal voice, creating a vaporous blend with Palmer's airy woodwind. Another side of the Insect Trust surfaces on the closer, "Ducks," as the upbeat R&B groover could easily be mistaken for a long lost Bar-Kays cut.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album or the group,  click on one of the following links: ►

► # 1

► # 2

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Stock (commercially released) mono copies of this album are NOT known to exist.

(d)          The record comes in the original stock inner sleeve.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3   (VISIBLE ON BACK SIDE ONLY)

-         Cover shows some light yellowing on both sides, apparently from aging.  (nothing significant)

-         Cover has one corner slightly worn / dinged (nothing significant)

-         Minor shelf wear noted on the bottom seam (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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