IRMA THOMAS WISH SOMEONE WOULD CARE RARE ORIG IMPERIAL MONO WHITE LABEL PROMO LP
$
96
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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WE CURRENTLY HAVE NEARLY 700 LISTED ITEMS
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· IRMA THOMAS – WISH SOMEONE WOULD CARE – ORIGINAL 1964 IMPERIAL RECORDS MONO LP-9266
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· ORIGINAL IMPERIAL LABEL, EARLY-TO-MID '60s STYLE, WHITE PROMOTIONAL VERSION
· DEEP GROOVE PRESSING.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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It's because of powerful platters such as this that vocalist Irma Thomas would rightfully garner the crown as the undisputed Queen of New Orleans' thriving R&B scene. She established her reputation as a no-nonsense soul sister with the attitude-driven "You Can Have My Husband (But Don't Mess with My Man)," "A Good Man," and the regional hit "Look Up" prior to landing at the Crescent City powerhouse Minit Records. It was there she joined forces with the musical wunderkind Allen Toussaint who provided Thomas her next batch of notable sides, specifically "It's Raining" and "Ruler of My Heart" (aka "Pain in My Heart"). She was also among those to make the transition to the significantly larger Imperial Records after they purchased Minit in 1963. Wish Someone Would Care (1964) was the first of two long-players that Thomas released during her brief (1964 -- 1966) run on the Imperial roster. The album opens with the yearning torch balladry of the title track "Wish Someone Would Care" featuring Thomas supported by the inimitable H.B. Barnum, who tempers her remarkably versatile voice in the first of several sensitive arrangements. "I Need Your Love So Bad" is reflective of the guttural and bluesy style commonly associated with the likes of Otis Redding and James Brown. Here, Thomas definitely gives the boys a run for their money. The melody of "Without Love (There Is Nothing)" bears a striking resemblance to the "Tennessee Waltz" during the languid verses. The chorus, however, finds Thomas calling on her gospel roots to really "sell" the performance to great aplomb. Her update of Percy Mayfield's "Please Send Me Someone to Love" is a stone classic and easily takes on Odetta and Esther Phillips' respective versions with plenty of power to spare. "Time Is on My Side" -- initially relegated to a 45 rpm B-side -- found its way across the Atlantic ocean where it would take on a life of its own once the Rolling Stones covered it less than a year later. Similarly, Thomas' reading of the Jackie DeShannon co-penned "Break-A-Way" became a runaway smash throughout the bayou. And though it seemed to attract little attention elsewhere in the States, it has been remade to great effect by Tracey Ullman. Both the LP and single for Wish Someone Would Care crossed over onto the pop charts, simultaneously giving Thomas her only Top 40 single and Top 100 Album entry.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 100:1.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+ (VG+)
The following flaws or imperfections are noted on the cover:
- Cover has a partially split bottom seam (between 1 and 2 inches / 2.5 to 5 centimeters)
- Cover has some visible fraying/tattering on the top and bottom seams
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine
- Cover has all four corners slightly worn / dinged (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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