IRON MAIDEN - 2 x LPs " KILLERS/ NUMBER OF THE BEAST " EMC 3357 / EMC 3400 -EX
£
15
$
19
£ 15
Sold For
Oct 18, 2015
Sold Date
Oct 11, 2015
Start Date
£ 6
Start price
5
Number Of Bids
Great Britain
Country Of Seller
eBay
Auctioned at
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Description
ARTIST - IRON MAIDEN
- 2 x LPs
TITLEs - " KILLERS/ NUMBER OF THE BEAST "
LABEL - EMI
RECORD NO. - EMC 3357 / EMC 3400
YEAR - 1981 / 1982
SLEEVE - Killers - torn at bottom. Number of - scuffed on right - see pics. SPINE RUBBED on both .
VINYL - EX / EX
TRACK LISTING........KILLERS
A1 The Ides Of March 1:48 A2 Wrathchild 2:54 A3 Murders In The Rue Morgue 4:14 A4 Another Life 3:22 A5 Genghis Khan 3:02 A6 Innocent Exile 3:50 B1 Killers 4:58 B2 Prodigal Son 6:05 B3 Purgatory 3:18 B4 Drifter 4:47
Companies, etc.
- Phonographic Copyright (p) – EMI Records Ltd.
- Manufactured By – EMI Records
- Published By – Zomba Music Publishers Ltd.
- Recorded At – Battery Studios, London
Credits
- Bass – Steve Harris
- Drums – Clive Burr
- Engineer [Second Engineer] – Nigel Hewitt
- Guitar – Adrian Smith (2), Dave Murray (2)
- Illustration [Front Cover Illustration] – Derek Riggs
- Management [For Sanctuary] – Rod Smallwood
- Photography By – Robert Ellis (4)
- Producer, Engineer, Other [And Bullied By] – Martin "Headmaster" Birch*
- Vocals – Paul Di'Anno
- Written-By – Paul Di'Anno (tracks: B1), Steve Harris
Notes
Recorded at Battery Studios, London.? 1981 Original sound recordings made by EMI Records Ltd.
There is no barcode on the back cover. TRACK LISTING........NUMBER OF THE BEAST A1 Invaders Written-By – Harris* 3:20 A2 Children Of The Damned Written-By – Harris* 4:34 A3 The Prisoner Written-By – Smith*, Harris* 5:34 A4 22, Acacia Avenue Written-By – Smith*, Harris* 6:34 B1 The Number Of The Beast Written-By – Harris* 4:25 B2 Run To The Hills Written-By – Harris* 3:50 B3 Gangland Written-By – Smith*, Burr* 3:46 B4 Hallowed Be Thy Name Written-By – Harris* 7:08
Companies, etc.
- Phonographic Copyright (p) – EMI Records Ltd.
- Published By – Zomba Music Publishers Ltd.
- Manufactured By – EMI Records Ltd.
- Recorded At – Battery Studios, London
- Mixed At – Battery Studios, London
Credits
- Artwork – Cream (7)
- Bass Guitar – Steve Harris
- Drums – Clive Burr
- Engineer [Second Engineer] – Nigel "It Was Working Yesterday" Hewitt-Green*
- Illustration [Sleeve Illustrations By] – Derek Riggs
- Lead Guitar – Adrian Smith (2), Dave Murray (2)
- Management [Sanctuary Music] – Rod "Bloody 'ell Fire" Smallwood*
- Mastered By – Nickz*
- Photography By [Inner Sleeve Photos By] – Andre Csillag, Brunelli*, Bob Ellis*, Rod Smallwood, Ross Halfin, Toshi Yajima
- Photography By [Photo Montage] – Ian Kay
- Photography By [Sleeve Photos By] – Simon Fowler (2)
- Producer, Engineer – Martin "Farmer" Birch*
- Vocals – Bruce Dickinson
Notes
Recorded and mixed at Battery Studios, London.This issue includes a hard card die cut inner sleeve.
? 1982 Original Sound Recordings made by EMI Records Ltd.
There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.
Thank you for looking and happy bidding, and you can view my great feedback for peace of mind.
PLEASE CHECK OUT MY OTHER LISTINGS FOR MORE
GRADING: All records are graded using the standard UK Record Collector Grading system as follows:
- MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
- EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
- VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
- GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
- FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
- POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
- BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
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