IRON MAIDEN - POWERSLAVE. 12" VINYL LP RECORD ALBUM. EMI POWER 1 EJ 2402001 MINT
  £   20
  $   26

 


£ 20 Sold For
Aug 27, 2020 Sold Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
save auction  

Description

IRON MAIDEN

POWERSLAVE

12" VINYL STEREO LP RECORD ALBUM

COVER IN EXCELLENT+ CONDITION

VINYL IN NEAR MINT CONDITION

TEXTURED COVER

PRINTED INNER SLEEVE

EARLY PRESSING

EMI RECORDS

POWER 1 (EJ 2402001)

1984

A BEAUTIFUL COPY OF THIS EXCELLENT IRON MAIDEN ALBUM ON EMI RECORDS

FROM MY OWN PERSONAL COLLECTION

THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE

I DO NOT USE MISLEADING STOCK PHOTOS

FREE UK POSTAGE

THANKS FOR LOOKING


Powerslave

Label: EMI ?– POWER 1, EMI ?– EJ 2402001 Format: Vinyl, LP, Album, Stereo
Country: UK Released: 03 Sep 1984 Genre: Rock Style: Heavy Metal

TracklistHide Credits

A1 Aces High Written-By – Harris* 4:31 A2 2 Minutes To Midnight Written-By – Smith*, Dickinson* 6:04 A3 Losfer Words (Big 'Orra) Written-By – Harris* 4:15 A4 Flash Of The Blade Written-By – Dickinson* 4:05 A5 The Duellists Written-By – Harris* 6:18 B1 Back In The Village Written-By – Smith*, Dickinson* 5:02 B2 Powerslave Written-By – Dickinson* 7:12 B3 Rime Of The Ancient Mariner Words By [Poem] – Samuel Taylor ColeridgeWritten-By – Harris* 13:45

Companies, etc.

  • Mastered At – Sterling Sound
  • Mixed At – Electric Lady Studios
  • Recorded At – Compass Point Studios
  • Printed By – Tinsley-Robor Group PLC
  • Phonographic Copyright (p) – EMI Records Ltd.
  • Copyright (c) – Iron Maiden Holdings Ltd.
  • Published By – Zomba Music Publishers Ltd.
  • Manufactured By – EMI Records Ltd.

Credits

  • Bass – Steve Harris
  • Concept By [Sleeve], Design – Derek Riggs, Iron Maiden, Rod Smallwood
  • Drums – Nicko McBrain
  • Engineer [Assistant] – Bruce Buchalter, Frankie Gibson*
  • Illustration [Sleeve] – Derek "The Master" Riggs*
  • Lead Guitar, Rhythm Guitar – Adrian Smith (2), Dave Murray (2)
  • Management – Andy "Aye, a large Barcardi and Coke" Taylor*, Rod "I can tak' it - I'm a Yorkshireman" Smallwood*, Sanctuary Music (Overseas) Ltd., Sanctuary Music Ltd.
  • Mastered By – George Marino
  • Photography By – Moshe Brakha
  • Producer, Engineer, Mixed By – Martin "Pool Bully" Birch*
  • Vocals – Bruce Dickinson

Notes

Early first UK pressings come in a textured sleeve with a thin card lyric inner and a merchandising insert.
Recorded at Compass Point, Nassau, Bahamas.
Mixed at Electric Ladyland, New York.
Mastered at Sterling Sound, New York.

Barcode and Other Identifiers

  • Barcode (Scanned): 5 099924 020015
  • Barcode (Lined): 5099924020015
  • Other (Printers code): SP8409TR
  • Matrix / Runout (Side A runout, variation 1): EJ 2402001T A-1U-1- J-J. THERES ONLY ONE um. STERLING
  • Matrix / Runout (Side B runout, variation 1): EJ 2402001T 3-50-1-1- D
  • Matrix / Runout (Side A runout stamped, variation 2): EJ 2402001 TA-5C-1-1-
  • Matrix / Runout (Side B runout, stamped, variation 2): EJ 2402001 T 3-5C-1-1-
  • Matrix / Runout (Side A runout stamped, variation 2): DD
  • Matrix / Runout (Side B runout stamped, variation 2): D
  • Matrix / Runout (Side A runout, variation 3): EJ 2402001T A-1U-1-1-2 THERE'S ONLY ONE um. STERLING
  • Matrix / Runout (Side B runout, variation 3): EJ 2402001T B-2U-1-1-3 THATS XXX XXX um. STERLING
  • Matrix / Runout (Side A runout, variation 4): EJ 2402001T A-1U-1-2-1 THERE'S ONLY ONE um. STERLING
  • Matrix / Runout (Side B runout, variation 4): EJ 2402001T B-1U-1-1-7 THATS XXX XXX um. STERLING
  • Matrix / Runout (Side A runout, variation 5): EJ 2402001T A-1U-1-1-2 THERE'S ONLY ONE um. STERLING
  • Matrix / Runout (Side B runout, variation 5): EJ 2402001T B-1U-1-1-8 THATS XXX XXX um. STERLING
  • Matrix / Runout (Side A runout, variation 6): EJ 2402001T A-2U-1-1-4 THERE'S ONLY ONE um. STERLING
  • Matrix / Runout (Side B runout, variation 6): EJ 2402001T B-2U-1-1-3 THATS XXX XXX um. STERLING
  • Matrix / Runout (Side A runout, variation 7): EJ 2402001T A-1U-1-1-1(last number 1 lays down) THERE`S ONLY ONE um
  • Matrix / Runout (Side B runout, variation 7): EJ 2402001T B-1U-1-1-1 THATS XXX XXX um
  • Matrix / Runout (Side A runout, variation 8): EJ 2402001T A-1U-1-1-1 THERE'S ONLY ONE um. STERLING
  • Matrix / Runout (Side B runout, variation 8): EJ 2402001T B1U-1-1-5 THAT'S XXX um. STERLING

Powerslave

Genre:

Rock

Style:

Heavy Metal

Year:

1984

Notes:

Powerslave is the fifth studio album by the English heavy metal band Iron Maiden, released on 3 September 1984 on EMI in Europe and its sister label Capitol Records in North America. A remastered version was released by Sanctuary/Columbia Records in the US in 2002.

It is notable for its Ancient Egyptian theme displayed in the cover artwork, lifted from the title track, which was carried over to the album's supporting tour. "The World Slavery Tour" began in Warsaw, Poland on 9 August 1984 – and is widely regarded as being the band's longest and most arduous to date – and also led to the live album Live After Death.

The release also contains a musical re-telling of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner", which uses pieces of the original poem as lyrics. At 13 minutes and 45 seconds in length, it was Iron Maiden's longest song for over 30 years, until it was surpassed by the 18-minute "Empire of the Clouds" from the 2015 album, The Book of Souls.

Powerslave is also notable as being the band's first album to feature the same personnel as their previous studio release. This lineup would remain intact for two further studio releases. Also, it is their last album to date to feature an instrumental piece.

"2 Minutes to Midnight" and "Aces High" were released as singles. In 2017, it was ranked 38th at Rolling Stone's "100 Greatest Metal Albums of All Time".



Record Collector Magazine's Grading Guide:

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."


price rating