IRON MAIDEN THE NUMBER OF THE BEAST 12" VINYL LP RECORD ALBUM 1ST PRESSING 1982
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Description
IRON MAIDEN
THE NUMBER OF THE BEAST
12" VINYL STEREO LP RECORD ALBUM
FIRST UK PRESSING
NO BARCODE ON REAR OF THE COVER UNLIKE LATER RELEASES
This issue includes a hard card die cut printed lyric/photo inner sleeve with rounded corners
EMI RECORDS
EMC 3400
1982
VINYL IN EXCELLENT CONDITION (SEE PHOTOS AND DESCRIPTION)
COVER AND PRINTED INNER IN EXCELLENT CONDITION (SEE PHOTOS AND DESCRIPTION)
A GREAT COPY OF THIS EXCELLENT FIRST PRESSING IRON MAIDEN ALBUM FROM MY OWN PERSONAL COLLECTION
THE RECORD WILL BE POSTED IN A PROTECTIVE PVC COVER IN A DEDICATED RECORD MAILER FOR SAFE TRANSIT
THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE
I DO NOT USE MISLEADING STOCK PHOTOS
INFORMATION BELOW KINDLY PROVIDED BY DISCOGS
THANKS FOR LOOKING
The Number Of The Beast
More images
Label:
EMI – EMC 3400, EMI – 0C 062-07 608Format:
Vinyl, LP, Album, StereoCountry:
UKReleased:
1982Genre:
RockStyle:
Heavy Metal A1 Invaders Written-By – Harris* 3:20 A2 Children Of The Damned Written-By – Harris* 4:34 A3 The Prisoner Written-By – Smith*, Harris* 5:34 A4 22, Acacia Avenue Written-By – Smith*, Harris* 6:34 B1 The Number Of The Beast Speech [Uncredited] – Barry Clayton Written-By – Harris* 4:25 B2 Run To The Hills Written-By – Harris* 3:50 B3 Gangland Written-By – Smith*, Burr* 3:46 B4 Hallowed Be Thy Name Written-By – Harris* 7:08- Phonographic Copyright ℗ – EMI Records Ltd.
- Manufactured By – EMI Records Ltd.
- Printed By – Garrod & Lofthouse
- Published By – Zomba Music Publishers Ltd.
- Recorded At – Battery Studios, London
- Mixed At – Battery Studios, London
- Artwork – Cream (7)
- Bass Guitar – Steve Harris
- Drums – Clive Burr
- Engineer [Second Engineer] – Nigel "It Was Working Yesterday" Hewitt-Green*
- Illustration [Sleeve Illustrations By] – Derek Riggs
- Lead Guitar – Adrian Smith (2), Dave Murray (2)
- Management [Sanctuary Music] – Rod "Bloody 'ell Fire" Smallwood*
- Mastered By – Nickz*
- Photography By [Inner Sleeve Photos By] – Andre Csillag, Brunelli*, Bob Ellis*, Rod Smallwood, Ross Halfin, Toshi Yajima
- Photography By [Photo Montage] – Ian Kay
- Photography By [Sleeve Photos By] – Simon Fowler (2)
- Producer, Engineer – Martin "Farmer" Birch*
- Vocals – Bruce Dickinson
This issue includes a hard card die cut inner sleeve with rounded corners.
Compared to entry Iron Maiden - The Number Of The Beast this version has a different IRON MAIDEN logo style on side B.
℗ 1982 Original Sound Recordings made by EMI Records Ltd.
"22, Acacia Avenue" is named "22 Acacia Avenue" (the continuing saga of Charlotte the Harlot) on the inner sleeve.
- Other (Printer's Code and Date): TM 8203 GL
- Matrix / Runout (Side A runout - Variant 1): EMC 3400 A-2 GIVE IT SOME HEADBUTTS
- Matrix / Runout (Side B runout - Variant 1): EMC 3400 B-3 NICKZ
- Matrix / Runout (Side A runout - Variant 2): EMC 3400 A-2 17 1 GIVE IT SOME HEADBUTTS
- Matrix / Runout (Side B runout - Variant 2): EMC 3400 B-3 33 1 NICKZ
- Matrix / Runout (Side A runout - Variant 3): EMC 3400 A-2 GIVE IT SOME HEADBUTTS 1
- Matrix / Runout (Side B runout - Variant 3): EMC 3400 B-4 38 1 NICKZ
- Matrix / Runout (Side A runout - Variant 4): EMC 3400 A-2 7 GIVE IT SOME HEADBUTTS 3
- Matrix / Runout (Side B runout - Variant 4): EMC 3400 B-5-1-1- NICKZ
- Matrix / Runout (Side A runout - Variant 5): EMC 3400 A-2 GIVE IT SOME HEADBUTTS 2
- Matrix / Runout (Side B runout - Variant 5): EMC 3400 B-3 NICKZ 1
- Matrix / Runout (Side A runout - Variant 6): EMC 3400 A-2 25 GIVE IT SOME HEADBUTTS 2
- Matrix / Runout (Side B runout - Variant 6): EMC 3400 B-4 28 1 NICKZ
Record Collectors Grading system
Mint (M)The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX)The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG)The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G)The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F)The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced
Poor (P)The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B)The record is unplayable or might even be broken, and is only of use as a collection-filler
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