IVAN PATACHICH "Musical Electro-Alchemy" LP, NM/NM, Hungaroton, ELECTRONIC
  $   31

 


$ 31 Sold For
Sep 12, 2014 Sold Date
Sep 5, 2014 Start Date
$   25 Start price
4   Number Of Bids
  USA Country Of Seller
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Description

Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

Iván Patachich ?– Musical Electro-Alchemy

Label: Hungaroton ?– SLPX 12369 Format: Vinyl, LP 
Country: Hungary Released: 1982 Genre: Electronic Style: Experimental

TracklistHide Credits

A1 Antifonák Marimba – Zoltán RáczViolin – Judit Patachich 9:30 A2 Hivó Jelek Bass Vocals – András VeszprémiSoprano Vocals – Ilona Tokody 10:05 A3 Ballade Soprano Vocals – Ilona Tokody 5:00 B1 Ludus Syntheticus 8:00 B2 Kínai Templom Visszhanggal Percussion – Gábor KósaSoprano Vocals – Júlia Bikfalvy 8:12 B3 Hommage À L'Électronique Soprano Vocals – Ágnes MesterTenor Vocals – István Basky 9:24

Companies etc

  • Produced At – H'EAR
  • Produced At – Instituut Voor Sonologie

Credits

  • Artwork By – György Galantai
  • Engineer – Iván Patachich (tracks: A2, B1, B3), Péter Winkler (tracks: A1, A3, B2)
  • Photography – György Hegedüs

Notes

Antiphons (Antifonák) (1977) 
Calling sounds (Hivó jelek) (1977) 
Ballade (1976) 
Ludus syntheticus (1977) 
Chinese temple with echo (Kínai templom visszhanggal) (1979) 
Hommage à l'électronique (1978) 

A1, A3, B2 made in the Electronic Music Studio of the Hungarian Radio. 
A2, B1, B3 made in the Institute of Sonology, State University Utrecht. 

"Chinese temple with echo" makes use of two poems by Sandor Weöres.

Ferndale, Michigan 48220

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Hours: Monday thru Saturday NOON to 6:00 PM (Eastern) 

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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