In Memory Of Don Drummond, 1957 pre-ska up until his best 60's vintage Ska, NM

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42

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Performer(s): Don Drummond

Album Title: In Memory Of Don Drummond

Label Information: Studio One [1969 - #CSL 8021]

Jacket Condition: NM

Disc Condition: MINT Play like New!

Comments:

These 12 tracks are vintage ska -- the liner notes refer to the song "This Man Is Back" (included here) as having been cut in 1957, so it could go way back into pre-ska! We may never find out the answer to these burning questions, but what's most important in the meantime is that this is the greatest Drummond compilation you're most likely to stumble across. This offers similar infectious, loopy instrumental ska grooves. And quality-wise there's not much grounds to choose from when comparing the LP is Near Mint!

Trombone master Don Drummond was among the seminal figures behind the evolution of ska -- a founding member of the legendary Skatalites, he was the genre's most prolific composer, with well over 300 songs to his name before his brief career ended in tragedy. Even prior to the birth of ska, Drummond was already regarded as something of a Jamaican legend for his jazz prowess; as a teacher at West Kingston's Alpha Boys School, he also mentored up-and-comers including Tommy McCook, Rico Rodriguez, Vernon Muller, Joe Harriott, and Vincent Gordon. Beginning his studio career in 1956, he primarily cut specials, recordings originally designed strictly for sound system play; in 1959, however, these specials began receiving proper commercial release in both Jamaica and England. As a result, Drummond's star ascended even higher, and under the direction of producer Coxsone Dodd, he composed and arranged hundreds of classic ska recordings for both Studio One and Treasure Isle. ??Drummond's genius did not come without a price, however -- a notoriously eccentric man who suffered from bouts of manic depression, his erratic behavior earned him the nickname "Don Cosmic" from Dodd, and it was a moniker he rarely failed to live up to. Still, when Studio One musical director Jackie Mittoo set about assembling the Skatalites in 1964, he did not hesitate to bring Drummond aboard, and he quickly emerged among the group's creative and spiritual leaders. The quintessential ska band of their time, the Skatalites had an influence that was incalculable -- their 1964 debut, Ska Authentic, ruled Jamaican airwaves throughout the year, and in addition to leading sessions with all of the island's top solo artists, they also helped launch the careers of newcomers including Delroy Wilson, the Wailers, Lee "Scratch" Perry, and Ken Boothe. Drummond's composition "Man in the Street" earned the group a Top Ten U.K. hit later in 1964, and a year later his adaptation of the theme to the film The Guns of Navarone duplicated the feat. ??By that time, however, the Skatalites were no more, their demise brought about by the beginning of Drummond's own tragic downfall -- on New Year's Day of 1965, he was arrested for the murder of his girlfriend, exotic dancer Marguerita Mahfood. Her body was found in his home, the victim of multiple stab wounds; after a brief investigation, Drummond was deemed legally insane, and committed indefinitely to Bellevue Hospital. He died there on May 6, 1969, at the age of 37 -- although officially explained as a suicide, there was no official autopsy, and rumors about his death continue to swirl to this day. According to research uncovered by Bob Timm of the Ska Mining Company, at the memorial service Supersonics drummer Hugh Malcolm ripped up the death certificate, charging the hospital staff with murder and calling Drummond a victim of the government authorities who regularly targeted Kingston area performers; others claimed Drummond was slain by mobsters in cahoots with the family of Marguerita Mahfood. In any case, his death was the true end of an era, but his influence lives on.

Producer : C.S. Dodd

Engineer : Sylvan Morris

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Vinyl & Cover Grading:

“SS” Still Sealed = For the collector that demands nothing but perfection.

“M” Mint = A near perfect; or un-played record.

“NM” Near Mint = In factory fresh condition, like new.

VG+ = There will be obvious signs of wear and the possibility a few scuffs and/or light surface noise between tracks or during quiet passages, but still quite nice.

VG = Significant wear and marks and usually quite noticeable surface noise; still plays great.

VG- / Fair = From here on down, we're talking about pretty beat records!