In The Court Of Crimson King -King Crimson pink Island

	£		105
	$		139

King Crimson "In The Court Of the Crimson King "

Original 1st UK Press, Stereo, 1969 Island Records: cat no. ILPS 9111 Matrix: ILPS 9111  A//2, ILPS 9111 B //4

In the Court of the Crimson King (an observation by King Crimson) is the 1969 debut album by the British progressive rock group King Crimson. The album reached No.3 on the British charts. The album was remastered and re-released in the late 1990s, and given a subsequent remastering after the original masters were found in the Virgin vaults, which in turn was released in 2004. The album is certified gold in the United States. The album is considered by many the launching point of progressive rock where blues-oriented rock is completely abandoned in favour of more jazz and European symphonic elements incorporated.

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This item is offered with a money back guarantee if not as described below.

Sleeve Condition: EXCELLENT.

Gatefold sleeve is in fantastic shape front, back & inside with only light spine rubs and corner scuffs.

Vinyl Condition, Visual: EXCELLENT.

A lovely shiny copy with only a few hairline surface marks that generally don't affect play.

Vinyl Condition, Audible: EXCELLENT.

Plays very well with some light crackle, nothing major.

Label Condition: EXCELLENT.

1st pink Island label has some very light spindle marks, no ring wear, generally very clean.

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This record has been cleaned on the £1600 Loricraft PRC 4 Mk3 record cleaning machine (google `Garrard 501 Loricraft') using L'Art du Son cleaning fluid and placed in a Nagaoka antistatic inner sleeve. Only the best for our vinyl!

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Review:

King Crimson are a progressive rock band founded by guitarist Robert Fripp and drummer Michael Giles in 1969. They have typically been categorised as a foundational progressive rock group, although they have incorporated diverse influences and instrumentation drawing from jazz, classical and experimenta music to psychedelic, New Wave, hard rock, gamelan, folk music, electronica and drum and bass. Originating in England, the band has had a mixture of English and American personnel since 1981.

King Crimson have garnered little radio or music video airplay, but gained a large cult following. Their debut album, In the Court of the Crimson King, is widely regarded as a landmark in progressive rock, and made the list of the 1001 Albums You Must Hear Before You Die. Their later excursions into even more unconventional territory have been influential on many contemporary musical artists.

King Crimson's membership has fluctuated considerably throughout its existence, with eighteen musicians and two lyricists passing through the ranks as full band members. The band developed a greater degree of stability later on in its history, with current (and fifth) frontman Adrian Belew having been a member of King Crimson since 1981 and drummer Bill Bruford staying with the band for nine years of consecutive active existence (1973-75, 1981-84 and 1994-97)

Today, King Crimson's early music seems to owe a lot to the compositional frameworks of jazz innovators like Charles Mingus and John McLaughlin), fused with British pop and classical music. The early 1970s were King Crimson's least stable period, with many personnel changes and disjunctions between studio and live sound as the band explored elements of jazz, funk and chamber classical music. In the mid-'70s the band had a more stable lineup and developed an improvisational sound influenced by hard rock, before breaking up in 1974. The band re-formed with a new line-up in 1981 for three years (this time influenced by New Wave and gamelan music) before breaking up again for around a decade. Following their 1994 reunion (with extra personnel), King Crimson blended aspects of their 1980s and 1970s sound with influences from more recent musical genres such as industrial rock and grunge (the latter itself a genre initially influenced by King Crimson). The band’s efforts to blend additional elements into their music have continued into the 21st century, with more recent developments including drum and bass-styled rhythm loops and extensive use of MIDI and guitar synthesis.

Track Listing:

1. 21st Century Schizoid Man including Mirrors
2. I Talk To The Wind
3. Epitaph including March for no reason/Tomorrow and tomorrow
4. Moonchild including The dream/The illusion
5. The Court Of The Crimson King including Return of the FireWitch/The Dance of the Puppets

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UK Record Collector Grading System:

MINT: The record itself is in brand new condition with no surface marks or deterioration in the sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.

EXCELLENT (US version of this term: Near Mint): The record shows some signs of having been played, but there is very little lessening in the sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD (US version of this term: VG++): The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover, or extra items, without any major defects, is acceptable.

GOOD (US version of this term: VG): The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits etc.