JACKSON BROWNE LATE FOR SKY VERY RARE ORIG '74 ASYLUM PROMO LP+MASSIVE PRESS KIT
$
146
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WE CURRENTLY HAVE MORE THAN 500 LISTED ITEMS
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· JACKSON BROWNE – LATE FOR THE SKY – ORIGINAL 1974 ASYLYM RECORDS STEREO LP 7E-1017
· ORIGINAL U.S. PRESSING
· *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL CUTOUT HOLE AND THE PRESENCE OF THE MASSIVE PRESS KIT CLEARLY IDENTIFY THE ITEM AS PROMOTIONAL ***
· ORIGINAL PALE BLUE ASYLUM LABEL WITH “HEAVEN’S DOOR” LOGO ON TOP
· *** INCLUDES ULTRA-RARE PUBLICITY KIT COMPRISING OF:
1- 8-PAGE MINI-BOOKLET CONTAINING THE ENTIRE 'A CHILD'S GARDEN OF JACKSON BROWNE' ARTICLE FROM THE 1974 ISSUE OR ROLLING STONE MAGAZINE BY CAMERON CROWE
2- CUSTOM BIO OF JACKSON BROWNE ON THICK, TEXTURED BROWN PAPER STICK WHICH FOLDS LIKE AN ENVELOPE
3- 4-PAGE ARTICLE TITLED 'JACKSON BROWNE: SUCH A CLEVER INNOCENCE' BY DAVID RENSIN FROM THE JANUARY 1974 ISSUE OF THE CRAWDADDY MAGAZINE
4- 2-PAGE ARTICLE TITLED 'THOSE BROWNE WHEELS SPIN IN AN EASY-DOES-IT CIRCLE OF LONGING' BY LYNN VAN MATRE FROM THE NOVEMBER 11, 1973 ISSISSUE OF THE CHICAGO TRIBUNE
5- 1-PAGE ARTICLE FROM THE SEPTEMBER 22, 1972 ISSUE OF THE LONDON TIMES
6- 2-PAGE ARTICLE ('FOR EVERYMAN' ALBUM REVIEW) FROM THE NOVEMBER 22, 1973 ISSUE OF THE ROLLING STONE MAGAZINE
7- 1-PAGE ARTICLE FROM THE JULY 28, 1974 ISSUE OF THE SUNDAY DENVER POST
8- LETTER OF INTRODUCTION FROM THE LABEL ON ASYLUM'S PALE BLUE STATIONARY
9- IN ADDITION TO THESE INSERTS, THE ALBUM ALSO COMES WITH THREE *** ORIGINAL *** PERIOD NEWSCLIPS FROM CIRCUS MAGAZINE, PHONOGRAPH RECORD MAGAZINE AND UNIDENTIFIED MAGAZINE (MOST LIKELY ROLLING STONE MAGAZINE) WHICH THE PREVIOUS OWNER ATTACHED TO THE PRESS KIT, BUT WHICH PROBABLY WEREN'T ITS INTEGRAL PARTS.
PLEASE NOTE: FOR SOME INEXPLICABLE REASON (PERHAPS THROUGH AN ERROR AT THE PRESSING PLANT OR AS A RESULT OF MISMATCH, ONE OF THE ITEMS IN THE PRESS (PUBLICITY) KIT FOUND IN THIS ALBUM (ITEM #2) PERTAINS TO JACKSON BROWNE’S FIRST ALBUM (“SATURATE BEFORE USING”), AND NOT TO THIS, HIS FOURTH RELEASE (“LATE FOR THE SKY")
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)
· CLEAN, WEAR-FREE LABELS
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 6.
(?PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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On his third album, Jackson Browne returned to the themes of his debut record (love, loss, identity, apocalypse) and, amazingly, delved even deeper into them. "For a Dancer," a meditation on death like the first album's "Song for Adam," is a more eloquent eulogy; "Farther On" extends the "moving on" point of "Looking Into You"; "Before the Deluge" is a glimpse beyond the apocalypse evoked on "My Opening Farewell" and the second album's "For Everyman." If Browne had seemed to question everything in his first records, here he even questioned himself. "For me some words come easy, but I know that they don't mean that much," he sang on the opening track, "Late for the Sky," and added in "Farther On," "I'm not sure what I'm trying to say." Yet his seeming uncertainty and self-doubt reflected the size and complexity of the problems he was addressing in these songs, and few had ever explored such territory, much less mapped it so well. "The Late Show," the album's thematic center, doubted but ultimately affirmed the nature of relationships, while by the end, "After the Deluge," if "only a few survived," the human race continued nonetheless. It was a lot to put into a pop music album, but Browne stretched the limits of what could be found in what he called "the beauty in songs," just as Bob Dylan had a decade before.
(EXCERPT FROM AN ONLINE REVIEW BY WILLIAM RUHLMAN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 (or ?click here for the complete album listing)
The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
Among the promotional releases, those which come with publicity kits (various packages comprising of photo inserts; letters of introduction from the label; typewritten biographies and/or discographies, corporate memos, decals, badges and alike) are generally recognized as the earliest, and most important specimens of a given title; literally and figuratively, the templates from which all subsequent copies followed. Some publicity kits are commanding astronomic prices on today’s collectors’ market.
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ? CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The album comes with 9-piece press (publicity) kit (please see above for details)
(c) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a neat, round PROMO cutout hole in one of the corners
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 back side)
- Cover has a light "wrinkle" (crease) in one of the corners.
- Cover has a few tiny wrinkles along the spine
- Visible shelf wear noted on the seams
- Cover has one corner slightly dinged (nothing significant)
- Cover has a minor 'bump' (dent) on the opening side (VISIBLE ON BACK SIDE ONLY)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ?click here. While you can be rest assured that ?our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ?Click here for the full text of our policy
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