JAMES BROWN GET ON THE GOOD FOOT ORIG SEALED MINT 2xLP on POLYDOR 1972
$
28
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Description
Here is a MINT MINUS! SEALED! DOUBLE LP by LITTLE MILTON titled BACK TO BACK. SEALED LPs ARE HARDER TO FIND! It is an ORIGINAL! US pressing on the POLYDOR label, catalog #PD 3004 in STEREO! sound and released in 1972. The vinyl is in presumed MINT! condition, since it is SEALED! shiny and black with superb playback. The cover has a HYPE STICKER! and is in NEAR MINT! condition with small shrink tears on three corners and wear at exposed corners. It is your opportunity to purchase this HARD TO FIND SEALED! LP by JAMES BROWN in this condition. It’s a true gem for the FUNK / SOUL / R&B collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING. BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Jason Elias
In an era where Brown went on to make three studio doubles, Get on the Good Foot was the first. This 1972 album finds Brown having great chemistry with both his newer J.B.'s and the New York session players. The title track is particularly stunning. "Get on the Good Foot" was so off-the-cuff and nonpareil, he couldn't have replicated the formula even if he wanted to. "I Got a Bag of My Own," on the other hand, sounds forced and synthetic. Although Brown was known for his new product, this album has him recycling some of his King singles. Doing so-so remakes of "Cold Sweat" and "Ain't It a Groove" could be taken as an attempt for Brown to ease some of his old catalog to his new label. It was a nice try, but you should stick with the originals. Not surprisingly, Get on the Good Foot does have its share of throwaway cuts. "Recitation By Hank Ballard" is a spoken-word effort with Ballard extolling his buddy's virtues as well as giving unsolicited advice about the perils of showbiz. "Dirty Harri," a lukewarm instrumental, goes nowhere fast for all of its six-plus minutes. The 1995 CD reissue offered a track that was previously available only on the international release, the warm "I Know It's True," which hearkens back to Brown's '60s-ballad style as he turns in a genuinely affecting performance. Although Get on the Good Foot only managed to yield two hits, the album is one of his more varied and fun efforts.
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