JAMES BROWN GRITS & SOUL RARE ORIG '65 SMASH STEREO LP DG IN SHRINK MINT
$
25
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· JAMES BROWN – GRITS AND SOUL - ORIGINAL 1965 SMASH RECORDS STEREO LP SRS-67057
· ORIGINAL U.S. PRESSING
· ORIGINAL RED SMASH ABEL WITH BLACK PRINT (MID-60’s TO EARLY 70’s STYLE)
· VERY RARE ORIGINAL STEREO PRESSING, MANY TIMES RARER THAN MONO
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP (A LITTLE LOOSE, BUT MOSTLY INTACT EXCEPT FOR ONE SMALL SECTION IN THE BACK)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH "-S2/-S3".
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Grits and Soul finds James Brown in serious Ray Charles mode, drawing inspiration from Charles' big band and organ playing. The results are pure James Brown, of course; his personality has always been too strong to allow any one influence to achieve top billing. Like Brother Ray, the band is razor sharp, no doubt from the endless one-nighters, and the strong hand of their leader. The jazz backgrounds of most of the players are in evidence here, especially on their steady if unspectacular take of Lee Morgan's "Sidewinder." Where they really shine is on "Grits," a slow, throbbing, burbling blues that continually threatens to boil over before simmering down. Guitarist Les Buie's tasteful solo acts as a counterpoint to the wild organ solo by Alvin "Fats" Gonder. James Brown also plays organ on Grits and Soul, but this solo seems almost refined when compared to Brown's individualistic take on the instrument. This is a strong representation of the band, including many of the players soon to be name-checked during the "Soul Brother Number One" career phase who are present here, including Bernard Odum, Maceo Parker, and his brother Melvin. "Grits & Soul" was also a slick way for Brown to sidestep his contractual obligations with King Records, as there are no vocals on this release.
(EXCERPT FROM AN ONLINE REVIEW BY KURT EDWARDS, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Stereo pressing of this title is much rarer, and by far more preferable to its mono counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies by a ratio of at least 5:1.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP (A SMALL PIECE OF SHRINK WRAP IS MISSING)
The following flaws or imperfections are noted on the cover:
- Cover has two bottom corners slightly worn / dinged .
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
- Minor shelf wear noted on the opening side (nothing significant) (VISIBLE ON BACK SIDE ONLY)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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