J.C. BURRIS "One of these Mornings" LP Shrink NM/NM Arhoolie, 1976
  $   25

 


$ 25 Sold For
Sep 24, 2016 Sold Date
Aug 1, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

AMG Artist Biography by Richie Unterberger

Blues Professor The nephew of Sonny Terry, Johnny "J.C." Burris was also a blues harmonica player, though he didn't record too much. He is noted for his use of African rhythm bones, two sticks played like castanets that can be played off the harmonica. Burris did some performing in New York in the 1950s and worked on recording sessions with Terry, Sticks McGhee, and other artists on Folkways Records. At the end of the decade, he relocated to California, finding some work in folk clubs in San Francisco before a stroke in 1966 robbed him of his use of his right side. Several years later, he regained his mobility on his right side, and in 1973, he began performing again, recording some solo unaccompanied material in 1975-1976 that appears on Arhoolie's Blues Professor album. He continued playing at schools, clubs, and festivals until his death in 1988.

J.C. Burris ?– One Of These Mornings

Label: Arhoolie Records ?– 1075 Format: Vinyl, LP, Album 
Country: US Released: 1976 Genre: Blues Style: Harmonica Blues

Tracklist

A1 Hold Me Tight 4:34 A2 Loneliness 5:05 A3 River Of Life 4:00 A4 She Can't Be Right Always Doing Wrong 4:15 A5 Mr. Jack's Dance 2:10 B1 One Of These Mornings 4:00 B2 Inflation Blues 6:00 B3 Hand Jive 2:50 B4 You Got To Roam 5:25 B5 Highway Blues 3:40

Credits

  • Recorded By – Chris Strachwitz
  • Vocals, Harmonica, Written-By – J.C. Burris

Notes

Recorded at the Northeast Community Center in San Francisco, California and at West Dakota in Berkeley, California in 1975.

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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