JEAN RITCHIE + DOC WATSON LP “At Folk City” VERVE FOLKWAYS mono orig ’66 SEALED
$
50
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Description
Artist: JEAN RITCHIE and DOC WATSON, with ROGER SPRUNG (banjo, fiddle)
Title: “Jean & Doc at Folk City”
Label: VERVE FOLKWAYS ~ # FV-9026. Monaural first pressing.
Year: 1966.
Condition: Album is STILL SEALED in original factory shrink wrap. Cut-out punch hole at bottom left corner, and “x” is stamped at upper left corner. Shrink wrap is sparkling clean and fully intact, with several tiny breather holes on the front shrink wrap. Rare LP in any condition – this is as good as it gets!
Track Listing:
Side One:
- Storms are on the Ocean
- Go Dig My Grave
- Spike-Driver Blues
- Soldier’s Joy
- Don’t Mind the Weather
- Hiram Hubbard
- Sugar on the Floor
Side Two:
- Where Are You Goin’
- Pretty Polly
- Willie Moore
- What’ll I Do with the Baby-O
- Cripple Creek
- Wabash Cannonball
- The House Carpenter
- Amazing Grace
Review:
“According to reissue annotator Joe Wilson, Doc Watson and Jean Ritchie had never heard of each other before they got together for a concert at Folk City in 1963, which says something about the 40-year-old Watson's obscurity at the time and about his limited knowledge of other performers, since 39-year-old Ritchie had been recording for more than a decade. The two had a lot in common, however, the North Carolina-born guitarist and banjo player sharing a repertoire of traditional material with the Kentucky-born dulcimer player. During their set (actually featuring only six songs performed together, with seven solos by Watson and four by Ritchie), they mixed murder ballads with spirituals and dance tunes. The titles included many songs that were familiar to country fans, and that would become familiar to folk fans as well: "Pretty Polly," "Wabash Cannonball," and "Amazing Grace." Especially interesting were "Go Dig My Grave," "Hiram Hubbard," and "House Carpenter," on which Watson played banjo and Ritchie sang. This was very much a joint appearance rather than a real duo outing, but the performers were sufficiently strong and complementary enough to make it work."
(review courtesy of William Ruhlmann, allmusic.com.)
Guaranteed to be original and authentic first pressing from 1966. I do not sell bootlegs or modern reissues.
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The records are removed from the jackets to protect the cover.
Both the LP and jacket are sandwiched between additional layers of cardboard.
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