JEFF SIMMONS wFRANK ZAPPA LUCILLE MESSED UP NM ORIG LP
$
100
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· JEFF SIMMONS – LUCILLE HAS MESSED MY MIND UP – RARE 1969 ALBUM ON FRANK ZAPPA’S STRAIGHT LABEL, FEATURING FRANK ZAPPA AND ASSORTED MEMBERS OF MOTHERS OF INVENTION - ORIGINAL 1970 'STRAIGHT' RECORDS LP STS-1057
· ORIGINAL U.S. PRESSING
· ORIGINAL RED, PINK, ORANGE AND YELLOW "STRAIGHT" LABEL
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· BEAUTIFUL, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!) [image of the label is from our previous auction, though]
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Jeff Simmons (electric bass/piano/organ/accordion/vocals) -- erstwhile member of the Indian Puddin' & Pipe, West Coast Natural Gas, Easy Chair, and Ethiopia -- issued a pair of solo long-players on Frank Zappa's short-lived Straight Records imprint. First was the primarily instrumental Naked Angels original soundtrack (1969), followed several months later by this LP. Joining Simmons are Craig Tarwater (guitar), Ian Underwood (sax), and Ron Woods (drums/percussion) with Zappa (lead guitar) and John Kehlior (drums) collectively guesting on the exceedingly bluesy selections "Lucille Has Messed My Mind Up" and "Raye." Apart from the Zappa connection, the effort showcases Simmons' considerable talents as a composer and performer. The opening ode to the Los Angeles thoroughfare "Appian Way" is steadily driven by Tarwater's blistering fretwork. The heavy syncopation of "Zondo Zondo" has a vibe reminiscent of Family -- particularly Simmons' lead vocals. While potentially lacking Roger Chapman's singular vibrato, they are delivered with no less ardor. "Madame Du Barry" was presumably inspired by the French courtesan and mistress of Louis XV of France. The song's poppy feel -- à la the Turtles' "She's My Girl" -- is underscored by quirky time signatures, revealing the artist's ability to create outside the box. "I'm in the Music Business" is a lean fist-pumper reflecting the cynical realities of those who sell their souls for rock & roll. Zappa's unmistakable string mastery is emblazoned upon the aforementioned title composition "Lucille Has Messed My Mind Up" -- a tune Zappa would occasionally revisit throughout his career in the same vein as "Sharleena." Another song that definitely caught Zappa's ear was the Simmons' original "Wonderful Wino." It is executed with a loose and grinding groove. After Frank got a hold of it, he eventually worked up versions with Flo & Eddie, Ricky Lancelotti, and even himself on lead vocals. Simmons' reading is likewise notable for the sound of a reversed tape incorporated as a primary component of the rhythm track. A technique perhaps influenced by Zappa's unconventional studio wizardry. "Tigres" -- which Simmons' enunciates as "Tie Grace" -- is an earnest homage supported by a solid four-on-the-floor backbeat and a stately organ accompaniment that wouldn't have sounded out of place from Procol Harum. Languid and slightly surreal is the waltz "Aqueous Humore" -- a term, incidentally, also defined as "the clear, watery fluid circulating in the chamber of the eye between the cornea and the lens," according to The American Heritage Medical Dictionary. It is uncertain if that is Simmons' intended interpretation, especially as the lyrics involve a desire for the singer to be "...back in the water...growing my gills again...floating and fining, I'd be diving and spinning...." Returning to terra firma, "Conversations with a Recluse" concludes the album blending a bit of folk stylings on top of the typical sturdy sounds that permeate the majority of the platter.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional biographical information on Jeff Simmons click here
THIS IS A RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record comes in the original stock inner sleeve.
(d) Small writing (name of previous owner) noted on label on side 1
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a visible wrinkle (crease) in the cardboard base on the front panel
- Cover has a visible "wrinkle"(crease) in one of the corners (VISIBLE ON FRONT SIDE ONLY)
- Cover has some ring wear. On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (front side) and 5 (back side).
- Shelf wear noted on the seams (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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