JETHRO TULL STAND UP ORIG'69 UK PRESS PINK ISLAND LABEL
  $   42

 


$ 42 Sold For
Apr 2, 2011 Sold Date
Mar 23, 2011 Start Date
$   25 Start price
4   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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WE CURRENTLY HAVE   MORE THAN 1000   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

 

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·       JETHRO TULL - STAND UP - JETHRO TULL'S SECOND ALBUM - RARE ORIGINAL BRITISH PRESSING – ORIGINAL ISLAND RECORDS 1969 STEREO LP ILPS- 9103

 

·       ORIGINAL U.K. PRESSING

 

·       ORIGINAL PINK ISLAND LABEL

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

 

·       ORIGINAL GATEFOLD COVER WITH A GIMMICK "POP-UP" GADGET INSIDE

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

 (PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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The group's second album, with Ian Anderson (vocals, flute, acoustic guitars, keyboards, balalaika), Martin Barre (electric guitar, flute), Clive Bunker (drums), and Glen Cornick (bass), solidified their sound. There are still elements of blues present in their music, but except for the opening track, "A New Day Yesterday," it is far more muted than on their first album — new lead guitarist Martin Barre had few of the blues stylings that characterized Mick Abrahams' playing. Rather, the influence of English folk music manifests itself on several cuts, including "Jeffrey Goes to Leicester Square" and "Look Into the Sun." The instrumental "Bouree," which could've passed for an early Blood, Sweat & Tears track, became a favorite concert number, with an excellent solo bit featuring Cornick's bass, although at this point Anderson's flute playing on-stage needed a lot of work. As a story-song with opaque lyrics, jarring tempo changes, and loud electric passages juxtaposed with soft acoustic-textured sections, "Back to the Family" is an early forerunner to Thick As a Brick. Similarly, "Reasons for Waiting," with its mix of closely miked acoustic guitar and string orchestra, all hung around a hauntingly beautiful folk-based melody, pointed in the direction of that conceptual piece and its follow-up, A Passion Play. The only major flaw in this album is the mix, which divides the electric and acoustic instruments and fails to find a solid center, but even that has been fixed on recent CD editions. The original LP had a gatefold jacket that included a pop-up representation of the band that has been lost on all subsequent CD versions, except for the Mobile Fidelity audiophile release.

 

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

THIS IS A NO-RESERVE AUCTION!

 

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·       CONDITION:

 

·       RECORD

 

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

 

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

(d)          Mono copies of this album are NOT known to exist.

 

 

·       COVER (THIS IS THE ORIGINAL, GIMMICK ‘POP-UP’ COVER):

 

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 (front side) and 4 (back side)

 

-         Cover shows some light yellowing on back side, apparently from aging.

 

-         Cover has a few tiny wrinkles along the seams

 

-         Small water stain noted in one corner  (VISIBLE ON BACK SIDE ONLY)  (less than 1.1/2  square inch in size)

 

-         Inside  gatefold  has a small sticker /label, which may be possible to remove with a little effort (we did not attempt to)

 

-         Minor shelf wear noted on the seams (nothing significant)

 

-         Cover has two corners slightly worn (nothing significant)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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