JIMI HENDRIX AXIS: BOLD AS LOVE RARE TRACK MONO LP wINSERT RARE UK MONO MIX MINT
$
46
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· JIMI HENDRIX EXPERIENCE – AXIS: BOLD AS LOVE - AUDIOPHILE, ANALOG MONO PRESSING ON A 180-GRAM, HI-GRADE, 'VIRGIN QUIEX-SP SUPERVINYL' BY CLASSIC RECORDS, OFFICIALLY LICENSED FROM THE JIMI HENDRIX ESTATE – THE FIRST OFFICIAL RELEASE OF THE MONO MIX OF THIS ALBUM IN NEARLY 40 YEARS MASTERED FROM THE ORIGINAL MASTER TAPES - CLASSIC RECORDS MONO LP 612003
· GENUINE U.S. PRESSING
· ORIGINAL BLACK TRACK (UK) LABEL WITH SILVER AND WHITE PRINT (THE CLASSIC RECORDS PRESSING REPLICATES ORIGINAL UK TRACK MONO LABEL DOWN TO THE SMALLEST DETAIL -- EVEN THE CATALOG NUMBER IS THE SAME)
· THIS IS THE ORIGINAL, UK/CANADIAN MIX WITHOUT ECHO AND REVERB. NOT THE ORIGINAL AMERICAN MONO MIX (WITH SLIGHT REVERB ADDED FOR PSYCHEDELIC EFFECT)
· The record has a Bernie Grundman’s initials (BG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· SUPER-THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE
· BEAUTIFUL, LAMINATED COVER (ORIGINAL 1967 COVERS WERE NOT LAMINATED, EXCEPT IN UK). THE COVER WINS OUR PERSONAL "THE BEST AND THE HIGHEST- GRADE COVER CONSTRUCTION IN THE HISTORY OF RECORDED MUSIC" AWARD
· As far as we know, this album is currently out of print and unavailable in any format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The historical importance of this album cannot be overestimated. Recorded almost immediately after the Hendrix's first album, "Axis" finds Jimi elaborating on his ideas previously experimented on "Are you experienced", but with much more subtlety and finesse and considerably more pronounced psychedelic "feel" (just check the cover). Some of the most important - and beloved - Hendrix tracks are here. Track listing: EXP - Up from the skies - Spanish Castle Magic - Wait until tomorrow - Ain't no telling - Little wing - If 6 was 9 - You got me floating - Castles made of sand - She's so fine - One rainy wish - Little miss lover - Bold as love.
This release is nothing short of fantastic! The LP was mastered from the original MONO master tapes. If you wanted to buy an original mono LP of this, it would set you back around $1,500! No kidding! The mono edition was never again released until now. The mixes are completely different from the stereo release.
Jimi's original engineer, Eddie Kramer, oversaw this release and cut the record from the original full track Mono tapes played back on a special full-track Mono head specifically made for this reissue.
ABOUT THE TRACKS:
"EXP" is almost 40 seconds shorter on the vinyl, and the vocals by `Paul Caruso' are louder. The difference on the stereo version is extended feedback at the end. "Spanish Castle Magic" and "Wait Until Tomorrow" boast a much better low end than the CD. On the latter tune, the first note is too loud on CD. The volume is corrected on the LP, but the song fades up to full volume, as opposed to maintaining a consistent level throughout the track. One of the other problems with the CD is audible tape hiss. The false ending on "Ain't No Telling" is louder on the CD. The vinyl is much warmer on "Little Wing" and the end solo is more up front.
"If 6 Was 9" doesn't have near as much high end as the CD, and the bass is slightly muddy. Although the song's highs are much brighter on the CD, it also has considerable tape hiss that isn't heard on the vinyl. "You Got Me Floatin'" is missing the intro on the LP. "Castles Made of Sand" has a cleaner intro on the CD; the vinyl is slightly muddy in comparison, but features a different vocal performance. "One Rainy Wish" has much more bass on LP and a slightly different ending. The title track, "Bold as Love" is the one instance where the CD is superior. Without the channel panning, the song is clearly missing something.
The burning question here is: which one sounds better? It really depends on your personal preferences. The analog aficionados will no doubt pick the vinyl. It's much warmer than the CD and the bass will literally shake the room. Digi-fans will be more than happy with the sound on the CD (even if they need to crank up the bass a bit), and the booklet is excellent. It's a shame that it's not included in the vinyl pressing. On a positive note, the vinyl is on the Track label, plus when you consider that the mono version has been out of print ever since the original pressing hit the stores, this is the perfect addition for the Hendrix collectors out there. The choice is yours.
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For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)
This is a rare opportunity to acquire this great album in its FINEST audio format, no longer in print, and no longer easily obtainable.
For additional historical or discography information on this album, including track listing ►click here
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!
(c) The album comes with its original insert (NOTE: the Classic Records insert is DIFFERENT from the original 1967 UK insert)
(d) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) The record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.
(f) (ORIGINAL) Mono pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 1000: 1.
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
COVER IS STRONG NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 2 inches / 1 inch = 2.5 centimeters).
NO OTHER IMPERFECTIONS ON THE COVER:
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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