JIMMY HEATH, Triple Threat mono UK 1st pressing LP Freddie Hubbard Cedar Walton
$
48
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Sound clips are not from the actual item for sale - they are provided for customers to investigate the music contained on the record.
Jimmy Heath - Gemini
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Jimmy Heath – Triple Threat Label: Riverside Records – RLP 400 Format: Vinyl, LP, Mono Country: UK Released: 1962 Genre: Jazz Style: Hard Bop, Contemporary Jazz Tracklist Hide Credits A1 Gemini Written-By – Jimmy Heath 6:09 A2 Bruh’ Slim Written-By – Jimmy Heath 5:16 A3 Goodbye Written-By – Gordon Jenkins 6:59 B1 Dew and Mud Written-By – Jimmy Heath 5:01 B2 Make Someone Happy Composed By – Jule Styne Lyrics By – Betty Comden And Adolph Green 3:41 B3 The More I See You Composed By – Harry Warren (2) Lyrics By – Mack Gordon 4:18 B4 Prospecting Written-By – Jimmy Heath 5:40 Companies, etc. Recorded At – Plaza Sound Studios Mastered At – Plaza Sound Studios Credits Bass – Percy Heath Design [Cover] – Ken Deardoff Drums – Albert Heath Engineer – Ray Fowler French Horn – Julius Watkins (tracks: A1-A3, B1, B4) Photography [Back Cover] – Steve Schapiro Photography [Front Cover] – Michael Cuesta Piano – Cedar Walton Producer – Orrin Keepnews Tenor Saxophone – Jimmy Heath Trumpet – Freddie Hubbard (tracks: A1-A3, B1, B4) Notes First UK mono pressing on textured blue label with silver typeface. A1-A3, B1, B4 recorded January 4th 1962 (sextet) B2, B3 recorded January 17th 1962 (quartet)
UK MONO FIRST PRESSING VINYL ALBUM ON TEXTURED BLUE/SILVER LABEL IN FRONT LAMINATED SLEEVE WITH ORIGINAL POLY-LINED INNER SLEEVE.
MATRIX: RLP 400 1L▽1=420 11 2 / RLP 400 ▽2L ▽ 1//420 11 2.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: VERY GOOD ONLY DUE TO A SLIGHT EDGE WARP (SEE PHOTO). VISUALLY DISC IS EXCELLENT MINUS WITH NO MARKS OR SCRATCHES, AND IT PLAYED OK ON A TURNTABLE WITH A HEAVY CENTRE CLAMP, BUT HOW THIS WILL TRACK ON THE OUTER GROOVES ON ANY GIVEN TURNTABLE IS NOT KNOWN FOR SURE. DISC IS THUS PRICED 'AS IS' AS STATED AND PRICED LOW ACCORDINGLY. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
- 1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
- 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL IS $69.99 [EXCEPT CANADA, WHICH IS $59.99]. This is now the only reliable, tracked and insured way we can ship international packages.
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Upon return of merchandise we will always refund in full any item genuinely defective or if we have made an error.
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