JIMMY JONES, Good Timin' USA Excellent- LP FREE SHIPPING

$

50

Jimmy Jones – Good Timin' Label: Cub – SE 3847, Cub – CUB SE 3847, Cub – E3847 Format: Vinyl, LP, Album, Reissue, Stereo Country: US Released: 1986 Genre: Rock, Funk / Soul, Blues Style: A1 Good Timin' A2 A Wondrous Place A3 Never Had It So Good A4 You Got It A5 I Told You So A6 Itchin' A7 For You A8 Then I'll Know A9 That's When I Cried B1 Handy Man B2 Too Long Will Be Too Late B3 Ee-I-Ee-I Oh! B4 Dear One B5 My Precious Angel B6 Ready For Love B7 I Just Go For You B8 The Search Is Over B9 Where In The World

USA VINYL ALBUM WITH ORIGINAL INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE VERY GOOD+.

DISC: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.