JIMMY RANEY w/BOB BROOKMEYER ULTRA-RARE ORIG '56 ABC-PARAMOUNT MONO LP SHRINK NM

$

28

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       JIMMY RANEY with BOB BROOKMEYER, HANK JONES AND OTHERS – JIMMY RANEY FEATURING BOB BROOKMEYER -  ORIGINAL 1956 ABC-PARAMOUNT MONO LP ABC-129

·       ORIGINAL U.S. PRESSING

·       ORIGINAL "SMALL" BLACK ABC-PARAMOUNT LABEL WITH MULTICOLORED SOUND SPECTRUM   CURVE  LOGO (¥ )

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Though Jimmy Raney recorded under his own name as early as 1953, this 1956 set is regarded as his first as a leader. Raney is as fine an arranger as he is a guitarist. These eight tracks with Bob Brookmeyer on trombone (another fine arranger in a soloist's role) shine with the ease and fluidity of the best of the cool sessions recorded at the dawn of hard bop. One of the finest examples of the interplay between Raney and Brookmeyer occurs at the beginning of the album's second track, "How Long Has This Been Going On?," where the pair engage in a brief contrapuntal dialogue before Brookmeyer solos on the melody and Raney gently fills the space behind him by whispering his chords and fills through the trombonist's phrasing, before taking his own solo and slipping an inverted harmonic pattern on the tune's lyric line. The pair re-engage about halfway through before Dick Katz solos on piano with a bluesy series of runs in the upper register. Raney's own tunes, such as "The Flag Is Up," are strident and swinging without losing the breezy cool feel . Raney's solo is a mix of bop phrasing and heated arpeggios that glide effortlessly into Katz's comping. Brookmeyer's "Get Off That Roof" is another swinging mini-opus that offers a new view of the trombonist as soloist. Hank Jones plays piano here and is stellar at creating a solid backdrop for both front-line players. This is as fine a set from the end of the cool jazz period as one is likely to hear.

 (EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 (On an interesting note: During the 1950s (probably when this album was recorded), Jimmy Raney lived in the same residential block in Jackson Heights, Queens, where yours truly once used to live between 1987 and 2008)

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new (Minor zig-zag scratch noted on 'Get off that roof"

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record comes in the original stock inner sleeve.

(d)          Stereo copies of this album are NOT known to exist.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

COVER IS  NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-        The cover has a few tiny  pressure points on the back panel (BARELY VISIBLE)

-        Cover has tiny, almost invisible, pinholes (or staple holes) in one corner. These tiny holes are NOT cutout holes.

-        Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

-        Cover has a few tiny wrinkles along the spine  (nothing significant)

-        Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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