JIMMY SMITH BABY GRAND ORIG BLUE NOTE 1529 DG MONO JAZZ LP W 63rd ST RVG EAR
$
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Description
JIMMY SMITH~BABY GRAND~ORIG BLUE NOTE 1529 DG MONO JAZZ LP~W 63rd ST~RVG EAR
Product Description
JIMMY SMITH "AT CLUB "BABY GRAND" WILMINGTON, DELWARE" BLUE NOTE 1529 Jimmy Smith at The Club Baby Grand Blue Note 1529 original pressing with 47 West 63rd St address on the back cover and on the labels! RVG and the "ear" stamped in the dead wax. Cover is in VG condition: the spine is split and there are partial splits to the top and bottom seams. There is a small amount of pen on the back cover. Vinyl is in VG+ condition and plays very well with occasional noise or pops. This is a FLAT EDGE pressing!! Playing piano-style single-note lines on his Hammond B-3 organ, Jimmy Smith revolutionized the use of the instrument in a jazz combo setting in the mid-'50s and early '60s, and he was still the next big thing on the block when he recorded two LP volumes live over the course of two afternoon sets and three evening sets on August 4, 1956, at Club Baby Grand in Wilmington, DE. Smith had already tracked three successful studio LPs for Blue Note Records at sessions held earlier in the year in February, March, and June, and the time seemed right to present him in a concert setting where the full whirlwind force of his speedy playing could be best appreciated. Working with guitarist Thornel Schwartz and his longtime drummer Donald Bailey (who worked with Smith throughout his Blue Note years), Smith is 90 percent of the show here, bursting out with amazing rapid runs on the B-3, filling the air from one end of the room to the other as only he could. This second volume draws three of its four tracks from the second afternoon set ("Get Happy" is from the last set of the evening show) and is highlighted by the opening track, a ten-plus-minute version of Duke Ellington's "Caravan" that turns on Schwartz's fine guitar leads. Otherwise, it's all Jimmy Smith, who careens, bolts, stutters, glides, and flashes notes all over the place at a frequently breathless pace, and if Smith's studio work is generally more structured, arranged, and considered (but only a little more so), this set shows him in what was his natural habitat, astounding an audience in a small club.The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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