JIMMY SMITH Root Down Live VERVE FROM 72 W/SHRINK WRAP ??????

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  JIMMY SMITH Root Down Live! VERVE FROM 72 W/SHRINK WRAP





A VG++ ORIGINAL LP ON VERVE V6-8806

FROM 1972 A FUNKY LP

STILL WITH SHRINK WRAP OVER COVER

PRODUCED BY EDDIE RAY AND RECORDED IN LOS ANGELES BY ED GREENE AND JACK HUNT

6 TRACKS INCLUDE SAGG SHOOTIN' HIS ARROW, FOR EVERYONE UNDER THE SUN, AFTER HOURS, ROOT DOWN (AND GET IT), LET'S STAY TOGETHER, SLOW DOWN SAGG

COVER STOCK STILL WITH WHAT APPEARS TO BE THE ORIGINAL FACTORY SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. RIGHT TOP AND BOTTOM EDGES WITH ROUGH SPOTS AND SMALL OUTER LAYER LOSSES ON EDGE POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR SURFACE PAPER SLEEVE CONTACT IMPRESSIONS. SIDE ONE WITH TWO LIGHT SURFACE RUB SCUFF MARKS ACROSS THE LAST TRACK IN THE 12-1 POSITION. WE'VE TEST PLAYED THIS LP ON A PROFESSIONAL SOUND SYSTEM WITH A VPI TURNTABLE WITH A GRADO REFERENCE 1 WOOD CARTRIDGE AND IT WAS A WONDERFUL PLAY WITHOUT NOTICE OF THE ABOVE AND SOUNDING QUITE FINE HERE. CLEAR, PRESENT AND VIBRANT THROUGHOUT.

FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT MY GRADING SYSTEM AND IS IN ADDITION TO ANYTHING WRITTEN ABOVE AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE STATE OF VINYL......YOU PLAY THE VINYL AND NOT THE COVER....COVER IS NOTED SEPARATELY. IF I'VE TEST PLAYED THE LP IT WILL BE NOTED. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.

FROM THE ALLMUSIC.COM WEBSITE:
review by Stephen Thomas Erlewine
Toward the end of his stint with Blue Note, Jimmy Smith's albums became predictable. Moving to Verve in the mid-'60s helped matters considerably, since he started playing with new musicians (most notably nice duets with Wes Montgomery) and new settings, but he never really got loose, as he did on select early Blue Note sessions. Part of the problem was that Smith's soul-jazz was organic and laid-back, relaxed and funky instead of down and dirty. For latter-day listeners, aware of his reputation as the godfather of modern soul-jazz organ (and certainly aware of the Beastie Boys' name drop), that may mean that Smith's actual albums all seem a bit tame and restrained, classy, not funky. That's true of the bulk of Smith's catalog, with the notable exception of Root Down. Not coincidentally, the title track is the song the Beasties sampled on their 1994 song of the same name, since this is one of the only sessions that Smith cut where his playing his raw, vital, and earthy. Recorded live in Los Angeles in February 1972, the album captures a performance Smith gave with a relatively young supporting band who were clearly influenced by modern funk and rock. They push Smith to playing low-down grooves that truly cook: "Sagg Shootin' His Arrow" and "Root Down (And Get It)" are among the hottest tracks he ever cut, especially in the restored full-length versions showcased on the 2000 Verve By Request reissue. There are times where the pace slows, but the tension never sags, and the result is one of the finest, most exciting records in Smith's catalog. If you think you know everything about Jimmy Smith, this is the album for you.

AND, LASTLY, PLEASE DO REMEMBER SOUND QUALITY IS AFFECTED BY WHAT THE VINYL IS PLAYED ON! IF YOUR STEREO SYSTEM HAS BEEN CAREFULLY CHOSEN AND ASSEMBLED FOR IT'S AURAL QUALITIES AND YOU PERFORM BASIC MAINTENANCE LIKE CLEANING YOUR VINYL, CLEANING THE NEEDLE AFTER EACH PLAY, AND REPLACING THE CARTRIDGE WHEN NEEDED, YOUR LPS SHOULD SOUND QUITE GOOD.

PLEASE READ THE FINE PRINT CONDITIONS OF SALE:
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