JO ANN KELLY Jo Ann Kelly LP EPIC 1969 US orig BN 26491 JOHN DUMMER-DAVE KELLY
  £   23
  $   30

 


£ 23 Sold For
Mar 28, 2015 Sold Date
Mar 18, 2015 Start Date
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  Italy Country Of Seller
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JO ANN KELLY

  The rock era saw a few white female singers, like Janis Joplin, show they could sing the blues. 

But one who could outshine them all -- Jo Ann Kelly -- seemed to slip through the cracks, 

mostly because she favored the acoustic, Delta style rather than rocking out

 with a heavy band behind her. But with a huge voice, and a strong guitar style influenced 

by Memphis Minnie and Charley Patton, she was the queen

"JO ANN KELLY"

1969     LP     EPIC RECORDS     BN 26491    STEREO


PRINTED IN U.S.A.     ORIGINAL PRESSING

THICK CARDBOARD COVER (AMERICAN STYLE)

Barcode and Other Identifiers

LABEL:  EPIC -  YELLOW LABEL - BLACK TEXT

Catalog on cover: (front & back) BN 26491    

Catalog on labels: BN 26491 (XSB I 50746 / XSB I 50747)

Matrix / Runout (Side A, Stamped): XSB150746-2B

Matrix / Runout (Side B, Stamped): XSB150747-1B

On labels: 

Produced by Nick Perls

The rim text reads 'Epic. Marcas Reg. T.M. Printed In U.S.A.'       

On Back Sleeve: Produced by Nick Perls for Yellow Bee Productions

All songs published by Yellow Bee Music (BMI)

Notes by Stephen Calt

from my records collection

tracklisting

Side 1: LOUISIANA BLUES - FINGERPRINTS BLUES

DRIFTIN' AND DRIFTIN' - LOOK HERE PARTNER - MOON GOING DOWN

Side 2: YELLOW BEE BLUES - WHISKEY HEAD WOMAN - SIT DOWN ON MY KNEE

MAN I'M LOVIN' - JINX BLUES - COME ON IN MY KITCHEN

  grading

RECORD  from VG to VG+  (please, read above description)

SLEEVE VG+ (please, see pictures and read above description)

 By 1964 she was playing in clubs, including the Star in Croydon, 

and had made her first limited-edition record with future Groundhogs guitarist Tony McPhee. 

She expanded to play folk and blues clubs all over Britain, generally solo, but occasionally with other artists, 

bringing together artists like Bessie Smith and Sister Rosetta Tharpe into her own music.

 After the first National Blues Federation Convention in 1968 her career seemed ready to take flight. 

She began playing the more lucrative college circuit, followed by her well-received debut album in 1969. 

At the second National Blues Convention, she jammed with Canned Heat, 

who invited her to join them on a permanent basis...(AllMusic)



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