JODY GRIND One Step On LP TRANSATLANTIC 1969 UKorig+foc TRA 210 HEADS HANDS&FEET

	£		69
	$		91

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JODY GRIND

 TIM HINKLEY, IVAN ZAGNI, BARRY WILSON plus LOUIS CENNAMO

British progressive rock band Jody Grind issued two obscure albums combining hard rock, jazz, 

blues, and classical influences with lineups emphasizing Hammond organ, guitar, and drums. 

Prone to long instrumental riffing and rather ponderous, stern original material

"ONE STEP ON"

Produced by Hugh Murphy

1969     LP     TRANSATLANTIC RECORDS      TRA 210   STEREO

MADE IN ENGLAND    ORIGINAL FIRST PRESSING

LAMINATED (on outside) FOLD-OUT SLEEVE and WHITE LABELS with PURPLE LOGO

This version: the Rights Society (MCPS) is under the Stereo & Side credit. 

Label variants exist.

Barcode and Other Identifiers

Barcode: none

LABEL:  TRANSATLANTIC -  WHITE LABEL & PURPLE LOGO - BLACK & PURPLE TEXT

Catalog on cover: (spine & inside left panel) TRA 210      

Catalog on labels: TRA 210 (Side One / Side Two)

Matrix / Runout (Side A, Stamped): STRA 210-A1

Matrix / Runout (Side B, Stamped): STRA 210-B1

On labels: Stereo   MCPS 

© Transatlantic Records Ltd. 1969

Produced by Hugh Murphy for Shel Talmy Production

rim text reads "....Made in England"

Rights Society / Publishing: MCPS

(on Side A): 1-2-3. Heatside/Jody Grind;   4. Mirage Music

(on Side B): 1-4. Heatside/Jody Grind

On Inside Sleeve: Thanks to: louis cennamo for the bass......

Dave Palmer for the arrangements and the musicians who played them

Printed and made by Mac Neill Press Ltd., London, S.E.1

tracklisting

Side A: ONE STEP ON

a) In My Mind b) Nothing At All c) Interaction d) Paint It Black

Side B: LITTLE MESSAGE - NIGHT TODAY - U.S.A. - ROCK 'N' ROLL MAN

  grading

RECORD  STRONG VG+ but (please, read above description)

SLEEVE VG+ but (please, see pictures and read above description)

Jody Grind's debut album was early progressive rock with a somewhat jazzier orientation 

than most such bands, though the playing was a good sight more impressive than the singing and songwriting. 

There's a fairly grim tone to the original material, all (save a cover of the Rolling Stones' "Paint It Black") 

written by Tim Hinkley and Ivan Zagni, who wrench extended heavy blues and jazzy solos out 

of their organ and guitar, respectively. The showcase is an 18-minute, four-part suite, 

"One Step On," that -- like many long rock tracks of the time -- goes on for way too long, 

incorporating horn fanfares, lurching tempos, and operatic vocals (and, yes, a drum solo). 

Shown to best advantage on "Little Message" and the most appealing song on the album, 

"Night Today," Hinkley's skilled Hammond organ work stands up well to the keyboards 

of well-known early prog rockers like Keith Emerson, 

Vincent Crane (of the Crazy World of Arthur Brown), and Brian Auger...(AllMusic)