JOE VALLE & ORQ. w/PELLIN: TROPICAL 1st '65 MAMBO HEAR

$

39

TITLE : JOE VALLE & ORQUESTA (With Pellin Rodriguez, etc!)

ARTIST :CANTE Y BAILE CON JOE VALLE

LABEL & RECORD #: NM (1st Tropical pressing red not orange)

VINYL CONDITION: (PARTIALLY PLAY GRADED!!!) HEAR SOUNDS CLIPS INCLUDED: VG++ to NM

LABELS CONDITIONS: SEE SCAN : NM

COVER CONDITION: SEE SCAN : VG++++ 

REMARKS: JOE VALLE!!!! IF YOU WERE IN THE LATE 50s CESAR CONCEPCION ORCHESTRA WAS AT THE TOP WITH HIS FAMOUS PLENAS (SALSA BORICUA!!!) and the wonderful boleros in the voice of one of the iland's top vocalist...Mr. Joe Valle...After Cesar quit, Lito Peña formed the famous Orquesta Panamericana taking 5 of the Cesar original members and with Chico Rivra on vocals marked another golden era for our Senior Proms, TV shows, Neighborhood dancings, etc...Joe went ahead and formed his own....in this LP you will clearly recognized Pellin Rodriguez ) I posted one 45 of Alfredito & Orquesta with Pellin in the chorus and that was in 1954) in the Mambo/plenas chorus, years later he will became the El Gran Combo Gold "Binomio" with Andy Montañez. Nobody knew Pellin's age but with always smiling he seemed young!!!

BUT JOE??? Read what happenned to him:

"In 1954 the Cuban cha cha cha arrived in New York. It lacked the excitement of the mambo...by 1955 the mambo was danced in over 50 New York City locations which had a dance floor along with the upstate Catskill and Las Villas resorts. During the same year Bebo Valdes' Decca label recording Holiday In Havana, created interest in Cuban Jam Sessions which added La Descarga Cubana to the list of popular Afro Cuban rhythms. In 1957 Rafael Cortijo's Puerto Rican bombas and plenas became the favorite of Palladium dancers and enabled Puerto Rican musicians Cesar Concepción, Joe Valle, Ismael Rivera, Mon Rivera and Moncho Leña to share the spotlight of recognition...the cream of Latin bands were seen on the popular television shows of Jackie Gleason, Paul Whiteman and Steve Allen's Tonight Show"

"Joe Valle abandonó las filas de la orquesta de César Concepción (THE #1 ORCHESTRA IN PUERTO RICO DURING THE MID 50s…Cesar’s Seeco & Ansonia LPs (or 78 rpms) are Collector items) y retornó a New York, atraído por el contrato que le ofreciera la compañía Seeco para emprender una nueva trayectoria como solista . Cabe señalarse que de aquellas fechas datan sus dos primeros jitazos, mismos que alcanzaron categoría de clásicos : Espérame en el cielo ( de Paquito López Vidal ) y Dondequiera que tú vayas ( de Ramón Del Rivero «Diplo» ). No obstante, al principio trabajó con otras orquestas, específicamente las de Enrique Madriguera, Xavier Cugat y, finalmente, la del cantante y guitarrista aguadillano Juanito Sanabria que, a la sazón, era la oficial del concurrido Club Caborrojeño , en Manhattan . En 1955, cuando Sanabria decidió retirarse, le cedió la batuta . En lo sucesivo, la referida organización se identificó con su nombre . Luego de una larga permanencia en el referido desveladero , Joe Valle y Su Orquesta recorrieron los más importantes salones de la plaza neoyorkina : Palladium Ballroom, Arcadia Ballroom, Roseland, Tropicana  de Bronx , Royal Windsor, Manhattan Center, etc . Posteriormente nuestro biografiado y su banda retornaron al Club Caborrojeño. Esta segunda etapa aquí se prolongaría siete años ( 1965 - 1972 ).  

Mientras tanto , Joe Valle continuó desarrollando su discografía acompañado por la propia u otras orquestas y acumulando reconocimientos y distinciones . En 1961 , la revista Farándula le concedió el Premio Diplo correspondiente a Cantante Más Destacado del Año y la compañía Seeco le entregó el Disco de Oro por las altas ventas del álbum titulado con su nombre, del cual surgió el exitazo Mi amor ante todo, original del dominicano Mario De Jesús. Además intervino en la película Romance en Puerto Rico?, dirigida por Ramón Pereda y protagonizada por la rumbera cubana María Antonieta Pons y el galán mexicano Dagoberto Rodríguez. En 1963 instituyó un programa propio en la radioemisora WHOM, que se emitía de lunes a viernes de 4 : 00 a 5 : 00 de la tarde . Ocupaba el mismo horario dejado por el que mantuvo hasta su prematuro deceso el también destacado cantante boricua Johnny López. El 23 de abril de 1972, poco tiempo antes de retornar definitivamente a su patria, el Instituto de Puerto Rico en New York le rindió un lucido y emotivo homenaje .   

El 13 de noviembre de 1980, mientras paseaba junto a una nietecita por el sector Villamar, en Isla Verde (to be correct in the Isla Verde Beach), fue interceptado por un delincuente que intentó despojarlo de la cadena de oro que lucía . La fuerte impresión sufrida ante el asalto le provocó un ataque cardíaco . Fue trasladado al Hospital San Jorge, en Santurce . Desafortunadamente, llegó sin vida .

THE ORIGINAL RECORDINGS WERE MADE ON SEECO (Tropical Was A Seeco Label) but in the mid 50s ANSONIA (seeco's big rival reunited this giant orchestra and the 2 or 3 LPs Ceasar recorded are also collector's items!

TRACKS SIDE A:

 1- La Ruñidera
2- Paraiso Soñado
3- Fue Por Tu Pecado
4- Sabroso Merecumbe
5- Cancion Nostalgica
6- Cha Cha Cha Flamenco

TRACKS SIDE B:

1- Felicidades
2- Plena Para Gozar
3- Bello Amanecer
4- Bolemengue
5- Recordando Mi Borinquen
6- Clemencia

WEB REMARKS: check some vintage youtube.... cesar concepcion (1st Trumpet) /joe valle (vocalist)...you can see Lito on the Sax!! Luisito Benjamin on the piano, Anibal Herrero on Sax! THAT WAS A BIG BAND!

"Trabaje en la industria de la musica toda la vida ya hace decadas fuera de mi pais natal ,a nostros los uruguayos nos gusta mucho este tipo de musica tanto que? tambien creamos nuestro estilo pero sin embargo mi conclucion es que no somos buenos nunca sonamos ni cerca de? esta gente!"

SHIPPING CHARGES........FOR GATEFOLDS With 2 Lps ADD S&H FOR 2

ITALY CUSTOMERS:

ITALY……. ADD $11 FOR REGISTRATION!!! No exceptions! Sorry, I’m following Other Dealers Suggestions Regarding Problems With the Delivery/Handling of Items…I personally had 2 of 4 problems, Mexico was the Other) in ten years (Thousands Of Records Sold) in the business!!!

(Gli acquirenti italiani sono tenuti ad aggiungere 11 dollari per la spedizione registrata. Non si fanno eccezioni)

POSTAL RATES & WEIGHTS - LPs

LBS.

0.82

1.4

1.9

2.6

3

# of LPs

1

2

3

4

5

* We offer a money back + shipping costs guarantee on our records (unless otherwise noted) if you feel the LP was not graded properly We Must Be Notified Of Any Discrepancy in 2 Days after received. . We will issue a full refund upon its return, once our mistake has been verified. Record Must Be Returned in 3 Days…Foreign in 7 Days….We have available the insurance option…

WE USE STURDY CARDBOARD MADE BY BAGS UNLIMITED IN ORDER TO TO PROTECT YOUR RECORDS FOR ANY MISHANDLING/DAMAGE WHILE IN-TRANSIT

Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other)  and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!

MM RECORDS: are shiny, with no visible defects. They might have some minor superficial (“Paper”) scuff but they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM COVERS: have no creases, ring wear or seam splits of any kind.
NM  PICTURES SLEEVES: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.

VG++ (Excellent) RECORDS: Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, no flaws noted.
VG++ COVERS: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VG+ RECORDS:  may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable

.VG+ COVERS:  should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint Unless Tiny/Small (EG: Tiny DH).

VG+ PICTURE SLEEVES: might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.

VG RECORDS:  have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches  may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes   will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG COVERS and PICTURE SLEEVES:  will have many signs of human handling. Ring wear  in the middle or along the edges of the cover where the edge of a record would  reside, is obvious, though not overwhelming. Some more creases might be  visible. Seam splitting will be more obvious; it may appear on all three sides,  though it won’t be obvious upon looking. Someone might have written or stamped  a price tag on it, too.

RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"

(We Will Try To Grade Them As Accurately As Possible!)

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