JOHN AND BEVERLEY MARTYN " STORMBRINGER " FIRST PINK ISLAND " i " ILPS-9113-EX
£
34
$
45
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Description
ARTIST - JOHN AND BEVERLEY MARTYN
TITLE - " STORMBRINGER "
LABEL - FIRST PINK ISLAND " i "
RECORD NO. - ILPS-9113
YEAR - 1970
SLEEVE - VG - rubbed at edges
VINYL - EX
MATRIX - ILPS-9113 A //1 * 1 14
- ILPS-9113 B //1 1 11
TRACK LISTING........
A1 Go Out And Get It Drums – Billy Mundi A2 Can't Get The One I Want A3 Stormbringer! Drums – Herbie Lovell* A4 Sweet Honesty Drums – Levon Helm A5 Woodstock B1 John The Baptist Drums – Levon Helm B2 The Ocean B3 Traffic-Light Lady B4 Tomorrow Time Harpsichord – John Simon B5 Would You Believe Me? Drums – Herbie Lovell*Credits
- Art Direction – Diogenic Attempts Ltd.
- Bass – Harvey Brooks
- Design [Front Cover] – Nigel Weymouth*
- Directed By [Musical Direction], Arranged By – Paul Harris (2)
- Engineer – John Wood
- Photography By – Hiroshi (27)
- Piano, Organ – Paul Harris (2)
- Producer – Joe Boyd
- Vocals, Acoustic Guitar – Beverley Martyn
- Vocals, Acoustic Guitar, Electric Guitar – John Martyn
- Written-By – B. Martyn* (tracks: A2, A4, B2, B4), J. Martyn* (tracks: A1, A3, A5, B1, B3, B5)
Notes
First pressing released on a pink Island label with white ''i'' logo."John Martyn comes from Glasgow, played guitar and sang in folk clubs, made two solo LPs, met Beverley. Beverley Martyn comes from Coventry, sang with a jug band, made two singles, met John. John & Beverley went to America summer of 1969, met Paul Harris and made Stormbringer! You may obtain further information by playing this record."
Barcode and Other Identifiers
- Matrix / Runout (Runout Side A): ILPS 9113 A//1 * 1 14
- Matrix / Runout (Runout Side B): ILPS 9113 B//1 1 11
SIX LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.
PLEASE WAIT FOR COMBINED INVOICE
There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.
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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:
- MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
- EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
- VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
- GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
- FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
- POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
- BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
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