JOHN & BEVERLEY MARTIN 'STORMBRINGER' ILPS9113 ISLAND 1970UK 1stPRESS PINK LABEL
£
31
$
41
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Description
John And Beverley Martyn
Stormbringer!
Country:UK Released:1970 Genre:Rock Style:Folk Rock
Tracklist
A1 Go Out And Get It Drums – Billy Mundi A2 Can't Get The One I Want A3 Stormbringer! Drums – Herbie Lovell* A4 Sweet Honesty Drums – Levon Helm A5 Woodstock B1 John The Baptist Drums – Levon Helm B2 The Ocean B3 Traffic-Light Lady B4 Tomorrow Time Harpsichord – John Simon B5 Would You Believe Me? Drums – Herbie Lovell*Companies, etc.
- Published By – Warlock Music
- Produced For – Witchseason Productions Ltd.
- Manufactured By – Island Records Ltd.
- Distributed By – Island Records Ltd.
- Printed By – E.J. Day Group
Credits
- Art Direction – Diogenic Attempts Ltd.
- Bass – Harvey Brooks
- Design [Front Cover] – Nigel Weymouth*
- Directed By [Musical Direction], Arranged By – Paul Harris
- Engineer – John Wood
- Photography By – Hiroshi
- Piano, Organ – Paul Harris
- Producer – Joe Boyd
- Vocals, Acoustic Guitar – Beverley Martyn
- Vocals, Acoustic Guitar, Electric Guitar – John Martyn
- Written-By –
- B. Martyn* (tracks: A2, A4, B2, B4),
- J. Martyn* (tracks: A1, A3, A5, B1, B3, B5)
Notes
First pressing released on a pink Island label with white ''i'' logo.Catalog numbers:
Sleeve: ILPS 9113 / Label: ILPS-9113
"John Martyn comes from Glasgow, played guitar and sang in folk clubs, made two solo LPs, met Beverley.
Beverley Martyn comes from Coventry, sang with a jug band, made two singles, met John.
John & Beverley went to America summer of 1969, met Paul Harris and made Stormbringer!
You may obtain further information by playing this record."
- Matrix / Runout (Side A): ILPS 9113 A//2
- Matrix / Runout (Side B): ILPS 9113 B//2
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- VERY GOOD +
Vinyl:- EXCELLENT
Labels:- EXCELLENT +
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
************************************************
Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to The Record Collector's grading system.
This was originated by The Record Collector to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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