JOHN COLTRANE LUSH LIFE ORIG PRESTIGE MONO DEEP GROOVE JAZZ LP BERGENFIELD RVG

$

70

JOHN COLTRANE~LUSH LIFE~ORIG PRESTIGE MONO DEEP GROOVE JAZZ LP~BERGENFIELD~RVG

Product Description

JOHN COLTRANE "LUSH LIFE" PRESTIGE PRLP 7188   ORIGINAL MONO, DEEP GROOVE JAZZ LP FROM 1958.  YELLOW AND BLACK LABELS. BERGENFIELD, NJ ADDRESS ON THE LABELS AND BACK COVER.  "RVG" IN RUN-OUT GROOVE.   COVER CONDITION: VG++.  LAMINATION IS INTACT. THERE IS SOME DAMAGE TO THE CORNERS BUT THE EDGES ARE STRONG WITHOUT ANY SPLITTING. RECORD CONDITION: VG WITH LOTS OF LIGHT SCRATCHES. LIKE MANY PRESSINGS FROM THE PERIOD, THE HEAVY-WEIGHT VINYL PLAYS EXTREMELY WELL DESPITE THE VISUAL CONDITION OF THE LP. THERE IS LIGHT BACKGROUND NOISE THROUGHOUT WITH OCCASIONAL POPS/CLICKS AND, AT TIMES, SOME CRACKLING.   Lush Life (1958) is among John Coltrane's best endeavors on the Prestige label. One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material. Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass), and Art Taylor (drums). The intimate setting is perfect for ballads such as the opener "Like Someone in Love." Coltrane doesn't have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and ornate passages. Unifying the slippery syncopation and slightly Eastern feel of "I Love You" is the tenor's prevalent capacity for flawless, if not downright inspired on-the-spot "head" arrangements that emerge singular and clear, never sounding preconceived. Even at an accelerated pace, the rhythm section ably prods the backbeat without interfering. A careful comparison will reveal that "Trane's Slo Blues" is actually a fairly evident derivation (or possibly a different take) of "Slowtrane." But don't let the title fool you as the mid-tempo blues is undergirded by a lightheartedness. May provides a platform for Coltrane's even keeled runs before the tenor drops out, allowing both May and then Taylor a chance to shine. The fun cat-and-mouse-like antics continue as Taylor can be heard encouraging the tenor player to raise the stakes and the tempo -- which he does to great effect. The practically quarter-hour reading of Billy Strayhorn's "Lush Life" is not only the focal point of this album, it is rightfully considered as one of Coltrane's unqualified masterworks. The performance hails from January 10, 1958 as Coltrane sits in with Red Garland (piano), Donald Byrd (trumpet), Paul Chambers (bass), and Louis Hayes (drums). Coltrane handles the tune's delicate complexities with infinite style and finesse. Garland similarly sparkles at the 88s, while Byrd's solo offers a bit of a tonal alternative.  
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