JOHN COLTRANE OM INSANELY RARE ORIG '67 IMPULSE WHITE LABEL PROMO-ONLY MONO LP

$

78

WE CURRENTLY HAVE  NEARLY 400  LISTED ITEMS

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·       JOHN COLTRANE with McCOY TYNER, ELVIN JONES, PHAROAH SANDERS AND JIMMY GARRISON – OM  - ORIGINAL 1967 IMPULSE  MONO LP A-9140  (ALBUM SESSIONS RECORDED IN LATE 1965, RELEASED ONLY IN LATE 1967)

·       ORIGINAL U.S. PRESSING

·       *** INSANELY RARE PROMOTIONAL-ONLY MONO COPY; MONO VERSION OF THIS ALBUM WAS NEVER COMMERCIALLY RELEASED IN ANY WAY OR FORM ***

·       *** WHITE LABEL PROMO ***

·       ORIGINAL IMPULSE LABEL,   LATE '60s STYLE,  WHITE PROMOTIONAL VERSION

·       The record has ►SAM FELDMAN'S  initials (SF) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       ORIGINAL LAMINATED COVER

·       THIS IS A "PROPER" MONO COVER, NOT A RECYCLED STEREO COVER WITH THE MONO STICKER AFFIXED (THIS  SIGNIFIES THAT IMPULSE AT SOME POINT CONTEMPLATED RELEASING REGULAR STOCK MONO COPIES OF THE ALBUM, BUT PROBABLY DECIDED AGAINST IT AT THE VERY LAST MOMENT)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       THE RECORD HAS A  'BELL SOUND'  STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Condemned by many critics as John Coltrane's worst album, Om suffers only in comparison to the great works that preceded it. Also issued in 1965, Ascension  had stunned the jazz world with the blunt force of its innovation -- a swirling maelstrom of noise, it was an answer to the challenge that had been posed by Ornette Coleman's Free Jazz several years earlier. For all the sonic assault that Pharoah Sanders and Coltrane mustered up on Ascension, however, it contained some surprisingly clear solos and had the feel of a well-thought-out interplay between all of the musicians on the date, including classic quartet members Elvin Jones, Jimmy Garrison, and McCoy Tyner. Om, in contrast, seems more like a pure release of energy. Expressions of sanity and organization by the rhythm section seem detached from the wall of sound that Sanders  and Coltrane have erected. The best moments come when Coltrane breaks away from Sanders  for solos -- echoes of Love Supreme can be heard in the repetitive, circular themes. Regardless of its seeming chaos, this is a deeply spiritual work, and can be seen as a darker, more unhinged version of the invocations heard on that album. Indeed, Om resonates with passion and yearning, but has a frantic edge that suggests that opening up to all of that powerful spiritual energy might have been a frightening experience. The music isn't perfect, as the thematic flow sometimes seems a bit segmented, and talented members of the band are relegated a little too far to the background (like McCoy Tyner, who nevertheless has a beautiful short solo around 13:30). Regardless, Om doesn't deserve the dismissal it has been given by critics. It is an important work in the history of free jazz that opens up considerably by the end of its 29 minutes, revealing the expansive contents of a jazz master's mind.

 (EXCERPT FROM AN ONLINE REVIEW BY STACIA PROEFROCK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.  In this case, though, this is a rather moot point,  since this rare promo-only MONO version of the album was never commercially released to begin with.

For additional information on this album click here

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record comes in the original stock inner sleeve.

(d)          Stock (commercially released) mono copies of this album do not exist.

(e)           The WHITE LABEL PROMO-ONLY MONO pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 100:1.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover has two corners slightly worn / dinged  (nothing significant)

-         The cover has a few tiny scratch marks on the back side (BARELY VISIBLE)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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