JOHN COLTRANE jazz LP PRESTIGE “Lush Life” trident MONO EXCELLENT
$
39
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Description
Artist: JOHN COLTRANE
Title: “Lush Life”
Label: PRESTIGE ~ PRLP 7188. Monaural pressing on medium weight vinyl.
Labels are blue with silver text and “trident” logo.
Personnel:
John Coltrane – tenor sax
Earl May – bass (Side 1)
Arthur Taylor – drums (Side 1)
Donald Byrd – trumpet (Side 2, Track 1)
Red Garland – piano (Side 2)
Paul Chambers – bass (Side 2)
Louis Hayes – drums (Side 2)
Al Heath – drums (Side 2, Track 2)
Condition:
DISC: Vinyl is EXCELLENT with full original gloss. Has been played a small number of times and handled with care. There are a couple slight hairline paper scuffs but no serious or audible marks or problems. Plays beautifully with superb fidelity. Labels are clean. This hard-to-find LP is one that you will never need to upgrade.
JACKET: Jacket is EXCELLENT with nice bright artwork. Front panel is clean and bright, except a faint hit of ring wear. A bit of wear on seams and corner tips. Reverse is clean and white with no writing, stickers, or cutout indications. Overall a very fine jacket.
Track Listing:
Side One –
- Like Someone in Love
- I Love You
- Trane’s Slow Blues
Side Two –
- Lush Life
- I Hear a Rhapsody
Review:
Lush Life is among John Coltrane's best endeavors on the Prestige label. One reason can easily be attributed to the interesting personnel and the subsequent lack of a keyboard player for the August 16, 1957 session that yielded the majority of the material. Coltrane (tenor sax) had to essentially lead the compact trio of himself, Earl May (bass), and Art Taylor (drums). The intimate setting is perfect for ballads such as the opener "Like Someone in Love." Coltrane doesn't have to supplement the frequent redundancy inherent in pianists, so he has plenty of room to express himself through simple and ornate passages. Unifying the slippery syncopation and slightly Eastern feel of "I Love You" is the tenor's prevalent capacity for flawless, if not downright inspired on-the-spot "head" arrangements that emerge singular and clear, never sounding preconceived. Even at an accelerated pace, the rhythm section ably prods the backbeat without interfering. A careful comparison will reveal that "Trane's Slo Blues" is actually a fairly evident derivation (or possibly a different take) of "Slowtrane." But don't let the title fool you as the mid-tempo blues is undergirded by a lightheartedness. May provides a platform for Coltrane's even keeled runs before the tenor drops out, allowing both May and then Taylor a chance to shine. The fun cat-and-mouse-like antics continue as Taylor can be heard encouraging the tenor player to raise the stakes and the tempo -- which he does to great effect.
The practically quarter-hour reading of Billy Strayhorn's "Lush Life" is not only the focal point of this album, it is rightfully considered as one of Coltrane's unqualified masterworks. The performance hails from January 10, 1958 as Coltrane sits in with Red Garland (piano), Donald Byrd (trumpet), Paul Chambers (bass), and Louis Hayes (drums). Coltrane handles the tune's delicate complexities with infinite style and finesse. Garland similarly sparkles at the 88s, while Byrd's solo offers a bit of a tonal alternative. It should be noted that the reading here does not include a vocal from Johnny Hartman. That version can be found on the ever imaginatively monikered John Coltrane & Johnny Hartman (1963).
(courtesy Lindsay Planer, allmusic.com.)
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