JOHN MAYALL BLUESBREAKERS+ ERIC CLAPTON NICE ORIG'66 LP
  $   77

 


$ 77 Sold For
Jun 2, 2006 Sold Date
May 26, 2006 Start Date
$   15 Start price
8   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

   

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WE CURRENTLY HAVE MORE THAN 100 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS LISTED IN ALPHABETICAL ORDER (BY ARTIST’S NAME) ►CLICK HERE

 

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·       JOHN MAYALL BLUESBREAKERS WITH ERIC CLAPTON - ORIGINAL LONDON RECORDS 1966 STEREO LP PS-492

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL BLUE 'LONDON' LABEL WITH SILVER SCRIPT

 

·       THICK CARDBOARD COVER, AMERICAN STYLE.

 

·       BEAUTIFUL, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

 

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW; (Note: the image shown is from our previous auction; it appears here for reference only and may not accurately reflect the appearance of this item. The actual item we are offering is in a somewhat inferior condition than the one shown; to avoid any disappointment, please carefully read the description of the cover’s condition at the bottom of this page.)

 

 

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Bluesbreakers With Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist — more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers. Standing midway between Clapton's stint with the Yardbirds and the formation of Cream, this album featured the new guitar hero on a series of stripped-down blues standards, Mayall pieces, and one Mayall/Clapton composition, all of which had him stretching out in the idiom for the first time in the studio. This album was the culmination of a very successful year of playing with John Mayall, a fully realized blues creation, featuring sounds very close to the group's stage performances, and with no compromises. Credit has to go to producer Mike Vernon for the purity and simplicity of the record; most British producers of that era wouldn't have been able to get it recorded this way, much less released. One can hear the very direct influence of Buddy Guy and a handful of other American bluesmen in the playing. And lest anyone forget the rest of the quartet: future pop-rock superstar John McVie and drummer Hughie Flint provide a rock-hard rhythm section, and Mayall's organ playing, vocalizing, and second guitar are all of a piece with Clapton's work. His guitar naturally dominates most of this record, and he can also be heard taking his first lead vocal, but McVie and Flint are just as intense and give the tracks an extra level of steel-strung tension and power, none of which have diminished across four decades.

 

Review reprinted courtesy of Bruce Eder, All Music Guide (www.allmusic.com)

 

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or click here for the complete album listing)

 

THIS IS A NO-RESERVE AUCTION!

 

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·                               CONDITION:

 

·                               RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

 

(a)            WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(b)            The record comes in the original stock inner sleeve.

 

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(d)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-         Cover has some ring wear; On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 .

 

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

 

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-         No split seams

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No wrinkles or creases

-         No writing

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No bar codes

-         No RIAA stamps or stickers.

 

 

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POSTAGE & SHIPPING:

 

Generally, US postage is $4.80 per item shipped via priority mail. International postage- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items. Please do NOT send $1.00 for international insurance, as this rate applies to domestic (USA) shipments ONLY. As of August 2004, we will charge additional $1.00 per order (not per item) for shipping and handling, in order to offset increasing costs of labor and packaging material.

 

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OUR REFUND POLICY :

 

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do not play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. Click here for the full text of our policy .

 

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