JOHN MAYALL & THE BLUESBREAKERS A HARD ROAD DECCA LP UK IMPORT NICE 1966
  $   31

 


$ 31 Sold For
Nov 10, 2014 Sold Date
Nov 5, 2014 Start Date
$   13 Start price
6   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Here is an EXCELLENT MINUS / VERY GOOD PLUS! LP by JOHN MAYALL & THE BLUESBREAKERS titled A HARD ROAD. It is an UK IMPORT pressing on the DECCA label, catalog #SKL 4853 in STEREO sound. This LP was originally released in 1966.The vinyl is in VERY GOOD PLUS! condition, shiny and black, with light non-sounding marks and should have decent playback. The cover is in EXCELLENT MINUS / VERY GOOD PLUS! condition with small creases along edges, dirt/surface/ring wear to rear, some edge and corner wear. It is a nice EXCELLENT MINUS / VERY GOOD PLUS! LP for you to own. It is an opportunity to purchase this EXCELLENT MINUS / VERY GOOD PLUS! JOHN MAYALL & THE BLUESBREAKERS! LP. It’s a true gem for the BRITISH BLUES / BLUES-ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Richie Unterberger

Eric Clapton is usually thought of as John Mayall's most important right-hand man, but the case could also be made for his successor, Peter Green. The future Fleetwood Mac founder leaves a strong stamp on his only album with the Bluesbreakers, singing a few tracks and writing a couple, including the devastating instrumental "Supernatural." Green's use of thick sustain on this track clearly pointed the way to his use of guitar riffs with elongated, slithery tones on Fleetwood Mac's "Albatross" and "Black Magic Woman," as well as anticipating some aspects of Carlos Santana's style. Mayall acquits himself fairly well on this mostly original set (with occasional guest horns), though some of the material is fairly mundane. Highlights include the uncharacteristically rambunctious "Leaping Christine" and the cover of Freddie King's "Someday After a While (You'll Be Sorry)."


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