JOHNNY GRIFFIN CHANGE OF PACE RARE ORIG '61 RIVERSIDE STEREO LP DG NEAR MINT

$

51

    
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WE CURRENTLY HAVE   MORE THAN 500   LISTED ITEMS

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·       JOHNNY GRIFFIN – CHANGE OF PACE – ORIGINAL 1961 RIVERSIDE STEREO LP RLP-9368

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK RIVERSIDE STEREO LABEL WITH SILVER PRINT, AND 'MICROPHONE' LOGO

·       DEEP GROOVE PRESSING.

·       VERY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Tenor saxophone, French horn, drums, two string basses; a change of pace, indeed, brought off with adventurousness and aplomb by Johnny Griffin. By 1961, when he recorded Change of Pace, Griffin had built a reputation as one of the most formidable hard-bop tenors. His greased-lightning abilities with the saxophone were well known from his work with Art Blakey, Thelonious Monk, and the group he co-led with Eddie "Lockjaw" Davis. Less recognized was the breadth of knowledge and curiosity that led Griffin to this unusual project. The instrumentation allowed textures more common to modern classical chamber music than to jazz. The experience and inclination of the players guaranteed unfettered swing. All of the compositions but one are by Griffin or his colleagues. His "Why Not'" underlines his admiration for Stravinsky with a melody line alluding to "Petrouchka."

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It's hard to believe that this amazing set has been deleted from the CD catalog; it's easily one of the most interesting and rewarding jazz albums I've come across in years. A unique instrumental lineup of tenor saxophone, French horn, two basses and drums; first-rate playing from all hands; and the tingling atmosphere which only a truly inspired date can evoke all make A CHANGE of PACE well worth the time of any serious jazz fan. Those familiar with Johnny Griffin from his more typically furious blowing sessions of the 1950s and '60s will be awestruck by the delicacy he displays here; and anyone as yet unfamiliar with the great tenorman could find no better place to start getting to know him. One can only hope that another edition of this very special album will see the light of day soon; in the meantime, anyone who can still manage to grab it is advised to do so.

 (EXCERPT FROM AN ANNONYMOUS ONLINE REVIEW)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)            Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 5:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a small quality control (inspection) stamp on the back panel

-        Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

-         Visible shelf wear noted on the seams

-         Cover has three corners slightly worn    (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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