JOHNNY WINTER ? NM orig 69 Columbia 1D/1D rare polarized rear cover WILLIE DIXON

$

42

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Original first press of his Columbia debut, with the rare error rear cover where the entire image has been inverted/polarized (this was corrected immediately after the first run). Winter's debut album for Columbia was also arguably his bluesiest and best. Straight out of Texas with a hot trio, Winter made blues-rock music for the angels, tearing it up with total abandon on tracks like "I'm Yours and I'm Hers," "Leland Mississippi Blues," and perhaps the slow blues moment to die for, B.B. King's "Be Careful with a Fool." Winter’s sophomore release came one year after his successful debut The Progressive Blues Experiment and a couple of months prior to his appearance on the Woodstock Festival. Winter took care of the production himself with assistance from the iconic Eddie Kramer; he gathered a nuclear trio with future SRV/Double Trouble side man Tommy Shannon on bass and seasoned drummer “Uncle” John Turner, whereas Johnny himself spread his talent across electric guitars, slide guitar, blues harp and of course vocals. Additional assistance was used on some tracks but it was this power trio, the ultimate expression of electric blues passion, which set the basic foundation for the album. This was one of those LPs which established the emergence of a new guitar wizard: Johnny alternates between all too natural boosts of exuberance, technically challenging playing, machine-gun riffs fired like blinding lightning flashes and expressions of heartfelt emotional statements, so genuine he seemingly inadvertently finds himself dialoguing with his guitar licks with spontaneous vocal interjections. A couple acoustic cuts attest how he needs no electricity to express his true devotion to the genre, namely on the impassioned version with overdubbed resonator guitar of Robert Johnson’s “When You Got a Good Friend". Winter is a real Blues shouter with the ability to pen his own numbers - be it greasy, organic Texan Blues such as “Leland Mississippi Blues”, powerful, hard-hitters wrapped in a web of pyrotechnical licks and riffs such as the opener “I’m Yours and I’m Hers” or the total solo (with no overdubs) resonator driven “Dallas”. Tracks with Willie Dixon on acoustic bass and Walter “Shakey” Horton on blues harp (“Mean Mistreater”), the majestic take on “I’ll Drown in My own Tears”, or the fiery “Good Morning Little School Girl” with brother Edgar switching to alto (he plays piano on his other contributions), plus A. Wynn Butler on tenor and Karl Garin on trumpet, are telling evidences that an all-around Blues stylist - one who feared no challenges - was born. Winter's playing and vocals had yet to become mannered or clichéd on this session, and if you've ever wondered what the fuss is all about, here's the best place to check out his true legacy. It is also the best this title has ever sounded.



Artist: JOHNNY WINTER

Year: 1969

Label: Columbia

Catalog Number: CS 9826

Mono/Stereo/Quadro: stereo

Country: USA

Weight: 126 grams

Cover Format: thick standard, wrap-around front slick with paste-on rear panel

Cover Condition: EX (sharp, crisp, vivid & tight, nearly perfect edges & corners, slight shelf wear on rear but NM if not for minor ring wear on front)

Vinyl Condition:

Label Condition: s1 has one small spindle mark, s2 is like new

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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale.  No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here!  We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout.  A VG+ record will truly satisfy all but the most critical curator.  On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!

We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ).  We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.

MINT :  Absolutely perfect.

This record looks like it has just left the plant, with no flaws whatsoever.  It appears unhandled and unplayed, with no marks of any sort.  Usually only sealed or (sometimes) unplayed LPs will warrant this grade.

The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.

 NM : Virtually flawless, top copy.

The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection.  It was very carefully handled and played, likely only once or twice.

The cover is as close to perfect as can be expected given its age.  There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.

EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.

The record has no scratches or significant blemishes, and will play NM throughout.  It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.

The cover is nearly perfect.  There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.

 VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.

The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.

The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing.  No flaw is at all distracting in and of itself.

 VG : A nice play copy, which will perform without much significant distraction.

The record appears well played, but still has the majority of the luster.  It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced.  It will play through quite nicely most of the time, with very minimal distraction.

The cover looks somewhat used and shows some mild wear.  There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.

We will never sell anything less than VG, so the rest of the scale is unnecessary.  We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss.  Anything of significance will always be noted. 

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