JOHNNY WINTER WHITE, HOT+ BLUE RARE ORIG'78 WHITE LABEL PROMO LP w/TIME STRIP 1A

$

77

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       JOHNNY WINTER (with EDGAR WINTER) – WHITE, HOT & BLUE -  ORIGINAL 1978 BLUE SKY (COLUMBIA AFFILIATE AND THE WINTER BROTHERS' PROPRIETARY LABEL) STEREO LP JZ-35475

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       *** IN ADDITION, THE PROMOTIONAL TIMING STRIP ON THE COVER CLEARLY IDENTIFIES THE ITEM  AS PROMOTIONAL ***

·       ORIGINAL BLUE SKY LABEL, WHITE PROMOTIONAL VERSION.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least thick, and  10 being the thickest), we assess the thickness of the vinyl as 7.

·       THE RECORD HAS A 'STERLING' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Johnny Winter generated considerable goodwill as the driving force in Muddy Waters' Grammy-winning 1977 comeback album Hard Again, and after touring with Waters he recorded his own album, Nothin' But the Blues, using Waters' band. Winter began 1978 producing Waters' follow-up to Hard Again, I'm Ready, then again returned to the studio for his own project. On White, Hot & Blue, he is not leading Waters' band yet again, but he is still playing in a Waters-like Chicago blues mode for the most part. This time, the backup band consists of his old Texas compatriot I.P. Sweat on bass and Bobby (T) Torello on drums, although Pat Ramsey gets so much space for harmonica playing (replacing James Cotton, who was on Nothin' But the Blues) that he practically deserves co-billing on the LP. Winter is credited for three original songs, "Slidin' In," "One Step at a Time," and "Nickel Blues," but there isn't much original about them; they are standard blues tunes, with "Slidin' In" in 12-bar form, "One Step at a Time" in Chicago style, and "Nickel Blues" an acoustic folk-blues number. Maybe Winter wrote some new lyrics, but even those sound mostly familiar. No matter. The spirited playing heard on the Waters albums carries over here. Edgar Winter sits in on piano on "Nickel Blues," doing his best Pinetop Perkins. Taj Mahal's "E-Z Rider" is rendered as a Rolling Stones-style rocker, but otherwise this is a blues-filled album, and it retains the glow of a comeback that may have been designed for Muddy Waters, but has spilled over to Johnny Winter, too.

 (EXCERPT FROM AN ONLINE REVIEW BY WILLIAM RUHLMANN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical or discography information on this album, including track listing ►click here

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in its original, custom, inner sleeve, which is UNIQUE to this album.

(c)             The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(d)          White Promo Label version of this title – and we ASSUME this is the one, but cannot be 100% certain - is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 50:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Minor shelf wear (two tiny scratches) noted on the top and bottom seams (nothing significant)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover has a few tiny wrinkles along the spine (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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