JONI MITCHELL LADIES CANYON MINT ORIG UK LP 3TONE LABEL
$
39
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· JONI MITCHELL - LADIES OF THE CANYON – ORIGINAL BRITISH PRESSING ORIGINAL 1970 REPRISE RECORDS (UK) STEREO LP RSLP-6376
· ORIGINAL BRITISH PRESSING
· ORIGINAL 3-TONE (YELLOW, PINK AND GREEN) REPRISE LABEL WITH RIVERBOAT LOGO (MID-60’s STYLE)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST BRITISH PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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WE CAN THINK OF NO OTHER MORE INFLUENTIAL OR IMPORTANT FEMALE SINGER-SONGWRITER OF THE PAST 40 YEARS THAN JONI. OVER THE YEARS, JONI MITCHELL DEFIED CATEGORIES, DATED EVERYONE OF ANY RENOWN IN THE MUSIC BUSINESS, AND CREATED SOME TRULY LUMINOUS, GORGEOUS MUSIC, THE IMPORTANCE AND SHEER HONESTY OF WHICH TRANSCEND THE AGES. THIS ALBUM, WHICH CAME OUT IN 1970, IS - TO OUR EARS - ONE OF HER FINEST AND GREATEST TO DATE. THE ALBUM ENDS WITH A ONE-TWO-THREE PUNCH: THREE OF JONI'S GREATEST AND MOST POPULAR SONGS: (BIG YELLOW TAXI; WOODSTOCK, AND CIRCLE GAME); MODERN SINGER-SONGWRITER FOLK DOES NOT GET ANY BETTER THAN THIS.
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This wonderfully varied release shows a number of new tendencies in Joni Mitchell's work, some of which would come to fuller fruition on subsequent albums. "The Arrangement," "Rainy Night House," and "Woodstock" contain lengthy instrumental sections, presaging the extensive non-vocal stretches in later selections such as "Down to You" from Court and Spark. Jazz elements are noticeable in the wind solos of "For Free" and "Conversation," exhibiting an important influence that would extend as late as Mingus. The unusually poignant desolation of "The Arrangement" would surface more strongly in Blue. A number of the selections here ("Willy" and "Blue Boy") use piano rather than guitar accompaniment; arrangements here are often more colorful and complex than before, utilizing cello, clarinet, flute, saxophone, and percussion. Mitchell sings more clearly and expressively than on prior albums, most strikingly so on "Woodstock," her celebration of the pivotal 1960s New York rock festival. This number, given a haunting electric piano accompaniment, is sung in a gutsy, raw, soulful manner; the selection proves amply that pop music anthems don't all have to be loud production numbers. Songs here take many moods, ranging from the sunny, easygoing "Morning Morgantown" (a charming small-town portrait) to the nervously energetic "Conversation" (about a love triangle in the making) to the cryptically spooky "The Priest" (presenting the speaker's love for a Spartan man) to the sweetly sentimental classic "The Circle Game" (denoting the passage of time in touching terms) to the bouncy and vibrant single "Big Yellow Taxi" (with humorous lyrics on ecological matters) to the plummy, sumptuous title track (a celebration of creativity in all its manifestations). This album is yet another essential listen in Mitchell's recorded canon.
(EXCERPT FROM AN ONLINE REVIEW BY DAVID CLEARY, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new. Minor – visible but not audible – scuff noted on one track (“For Free”)
(b) The record comes in the original “Made in England” poly-lined stock inner sleeve.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4
- The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover has a few tiny wrinkles along the spine
- Cover shows some light yellowing on both sides, apparently from aging.
- Cover has a slight ‘curly’ (wavy) warp across both front and back “legs” (nothing significant)
- The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 1 inch = 2.5 centimeters).
- Cover has a small, round sticker residue (small yellowish discoloration from the removed price sticker)
- Minor shelf wear noted on the seams (nothing significant)
- Cover has two corners slightly worn (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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