JONI MITCHELL LADIES OF CANYON ULTRA-RARE ORIG '70 REPRISE 2-TONE LABEL LP N/MNT

$

106

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       JONI MITCHELL – LADIES OF THE CANYON - VERY RARE ORIGINAL 1970 CAPITOL RECORD CLUB PRESSING - CAPITOL/REPRISE RECORDS STEREO LP SKAO-93171

·       ORIGINAL U.S. PRESSING

·       ORIGINAL TAN REPRISE “RIVERBOAT” LABEL WITH CAPITOL RECORDS CLUB INSCRIPTION AND A UNIQUE CAPITOL RECORDS SERIAL NUMBER (AND NOT A REGULAR REPRISE NUMBER RS-6376

·       CAPITOL RECORDS, JACKSONVILLE, FL PRESSING

·       THIS IS NOT AN IMPORT OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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What we have here technically DOES NOT EXIST and is not supposed to exist. To our best knowledge, the existence of this record-club-only issue previously has never been substantiated, and none of the price books and guides currently in print make any reference to its existence or background. According to both Tim Neely and Neil Umphread price guides (multiple editions),THERE IS NO SUCH THING.

To go back to "Ladies” for a second. This version has a distinct Reprise Records customized label which makes a pointed reference to the Capitol Records (see the photo of the label); the cover has CAPITOL RECORDS catalog number stamped on the SPINE of the  Reprise stock cover, but the regular Reprise stock number on the front cover!!!. Literally and figuratively, a piece of history, not to be missed at any price.

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WE CAN THINK OF NO OTHER MORE INFLUENTIAL OR IMPORTANT FEMALE SINGER-SONGWRITER OF THE PAST 50 YEARS THAN JONI. OVER THE YEARS, JONI MITCHELL DEFIED CATEGORIES, DATED EVERYONE OF ANY RENOWN IN THE MUSIC BUSINESS, AND CREATED SOME TRULY LUMINOUS, GORGEOUS MUSIC, THE IMPORTANCE AND SHEER HONESTY OF WHICH TRANSCEND THE AGES. THIS ALBUM, WHICH CAME OUT IN 1970, IS - TO OUR EARS - ONE OF HER FINEST AND GREATEST TO DATE. THE ALBUM ENDS WITH A ONE-TWO-THREE PUNCH: THREE OF JONI'S GREATEST AND MOST POPULAR SONGS: (BIG YELLOW TAXI; WOODSTOCK, AND CIRCLE GAME);  MODERN SINGER-SONGWRITER FOLK DOES NOT GET ANY BETTER THAN THIS.

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This wonderfully varied release shows a number of new tendencies in Joni Mitchell's work, some of which would come to fuller fruition on subsequent albums. "The Arrangement," "Rainy Night House," and "Woodstock" contain lengthy instrumental sections, presaging the extensive non-vocal stretches in later selections such as "Down to You" from Court and Spark. Jazz elements are noticeable in the wind solos of "For Free" and "Conversation," exhibiting an important influence that would extend as late as Mingus. The unusually poignant desolation of "The Arrangement" would surface more strongly in Blue. A number of the selections here ("Willy" and "Blue Boy") use piano rather than guitar accompaniment; arrangements here are often more colorful and complex than before, utilizing cello, clarinet, flute, saxophone, and percussion. Mitchell sings more clearly and expressively than on prior albums, most strikingly so on "Woodstock," her celebration of the pivotal 1960s New York rock festival. This number, given a haunting electric piano accompaniment, is sung in a gutsy, raw, soulful manner; the selection proves amply that pop music anthems don't all have to be loud production numbers. Songs here take many moods, ranging from the sunny, easygoing "Morning Morgantown" (a charming small-town portrait) to the nervously energetic "Conversation" (about a love triangle in the making) to the cryptically spooky "The Priest" (presenting the speaker's love for a Spartan man) to the sweetly sentimental classic "The Circle Game" (denoting the passage of time in touching terms) to the bouncy and vibrant single "Big Yellow Taxi" (with humorous lyrics on ecological matters) to the plummy, sumptuous title track (a celebration of creativity in all its manifestations). This album is yet another essential listen in Mitchell's recorded canon.

 (EXCERPT FROM AN ONLINE REVIEW BY DAVID CLEARY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record comes in a poly-lined inner sleeve, which has - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         Cover has a few tiny wrinkles along the spine   (nothing significant)

-         The cover has some (BARELY VISIBLE) circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.  Yellowing is also noted on the INSIDE gatefold

-         Visible shelf wear noted on the top seam and spine(nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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