(JONI MITCHELL & THE LA EXPRESS-Miles of Aisles-)-first live album-E5-2xLP

	A$		30
	$		20

DESCRIPTION ITEM: 12" VINYL 2xLP  33 1/3RPM
ARTIST: JONI MITCHELL & THE LA EXPRESS
TITLE: Miles of Aisles
COUNTRY PRINTED: USA
CAT No: See scan
COVER: Gatefold (Grade at EXCELLENT+ to NEAR MINT-)
LABELS: (Grade at NEAR MINT+)
VINYL:
Record #1:(Grade at EXCELLENT+ to NEAR MINT-)
Record #2:(Grade at EXCELLENT+ to NEAR MINT-)
TRACKS:
Side one
No. Title Length
1. "You Turn Me On, I'm a Radio" 4:09
2. "Big Yellow Taxi" 3:09
3. "Rainy Night House" 4:04
4. "Woodstock" 4:29

Side two
No. Title Length
5. "Cactus Tree" 5:01
6. "Cold Blue Steel and Sweet Fire" 5:23
7. "Woman of Heart and Mind" 3:40
8. "A Case of You" 4:42
9. "Blue" 2:49

Side three
No. Title Length
10. "The Circle Game" 6:29
11. "People's Parties" 2:42
12. "All I Want" 3:21
13. "Real Good for Free" 4:27
14. "Both Sides Now" 4:14

Side four
No. Title Length
15. "Carey" 3:30
16. "The Last Time I Saw Richard" 3:35
17. "Jericho" 3:26
18. "Love or Money" 4:50
ALBUM COMMENT: Wikipedia
Miles of Aisles is the seventh album by Joni Mitchell, released in 1974 on Asylum Records. It is her first live album, a double documenting her concerts in support of the Court and Spark album with her backing band for the tour, the L.A. Express. It reached #2 on the Billboard 200 and became one of her biggest-selling records, certified a gold record by the RIAA.[4]
COMMENT: Biography by Jason Ankeny
When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century. Uncompromising and iconoclastic, Mitchell confounded expectations at every turn; restlessly innovative, her music evolved from deeply personal folk stylings into pop, jazz, avant-garde, and even world music, presaging the multicultural experimentation of the 1980s and 1990s by over a decade. Fiercely independent, her work steadfastly resisted the whims of both mainstream audiences and the male-dominated recording industry. While Mitchell's records never sold in the same numbers enjoyed by contemporaries like Carole King, Janis Joplin, or Aretha Franklin, none experimented so recklessly with their artistic identities or so bravely explored territory outside of the accepted confines of pop music, resulting in a creative legacy which paved the way for performers ranging from Patti Smith and Chrissie Hynde to Madonna and Courtney Love.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour.
FAIR:
RECORD: Still just playable & exhibits considerable surface noise.
COVER: Major tears, wearing, splits & stains.
POOR:
RECORD: Will not play properly due to scratches etc.
COVER: Very badly damaged.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

COMBINED POSTAGE SAVINGS

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NOTE:
Double albums count as 2 LPs; triple albums count as 3 LPs etc

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