JOSH WHITE and his CAROLINIANS CHAIN GANG Seven Negro Laments Blues 78

$

51

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This is my FINAL WEEK of 3 weeks of great auctions – I WILL PACK AND BILL YOUR RECORDS after the close on September 27.

PLEASE DO NOT PAY before I send you an invoice. It will take me up to 48 hours to pack your records, but this is the ONLY WAY to get you the LOWEST POSTAGE. If you pay before I sent you an invoice, the EBAY system will charge you a HIGHER POSTAGE for shipping.

International shipping: approx postage 1x10"=$25: 1x12"=$28: 10"Album 4 Rec=45$: 12" Album 2 Rec=45$

About 30% less to Canada. Pls ignore international postage displayed in Ebay, rates are too high

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Black Blues Pioneer Joshua White - famous Harlem Cafe Society habitue

Joshua White and his Carolinians: Chain Gang

Vocal Blues w Guitar Acc

from liner notes:
"Columbia Records proudly presents what is perhaps the most genuine folk music of our times...seven Negro laments of the chain gang sung by Joshua White and his Carolinians"

35559
- Nine Foot Shovel (27415-1)  
- Chain Gang Boun' (27414-1)  

35560
- Trouble (27416-1)  
- Goin' Home Boys (27418-1)  

35561
- Cryin' Who? Cryin' You! (Part I) (27419-1)  
- Cryin' Who? Cryin' You! (Part II) (27420-1)  

35562
- Told My Cap'n (27417-1)  
- Jerry (27421-1)  

rec. June 4, 1940 in New York City; Bayard Rustin, 1st tenor voc; Carrington Lewis, 2nd tenor voc; Josh White, baritone voc, g; Bill White, baritone voc; Samuel Gary, bass voc; Leonard de Paur, cond; prod. by John Hammond
cover artwork by Alex Steinweiss

pre war gold label pressing 4x10" electric 78 rpm record w orig album notes and lyrics

Condition:

EXCELLENT close to pristine, dusty needs cleaning, album great, lightest rubbing on bottom edge

Joshua Daniel White (February 11, 1914–-September 5, 1969),[1] best known as Josh White, was a legendary American singer, guitarist, songwriter, actor, and civil rights activist. Today, he is widely remembered for his powerful and highly sensual stage presence, while some still remember that he almost single-handedly introduced Negro folk, blues, and gospel music to a world audience in the 1940s.

Few, however, are aware that White had suffered the most severe oppression growing up in the Jim Crow South, and despite these hardships would become in the 1920s and 1930s the youngest star of the "race records" era, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel, and social protest songs, and billed in concert as "The Sensation of the South." In 1931, White moved to New York and within a decade his fame had spread widely, and his repertoire expanded to include urban blues, jazz, Tin Pan Alley, cabaret, folk songs from around the world, and hard-hitting political protest songs. When acquiring this broader audience he believed it was vitally important to improve his singing diction so that his story songs could be understood by the world masses, a fact that has dismayed some folk and blues purists who felt he should have stayed true to his roots as the rural country blues artist from South Carolina. His presentation and performance also became more polished and crafted for the main stage, and he soon was in demand as an actor on radio, Broadway, and film. However, his pioneering guitar playing never altered or diminished, while some would even argue it broadened with the expansion of his musical repertoire.

White also would become the closest African American friend and confidant to the president of the United States, Franklin D. Roosevelt. Ironically, however, White's anti-segregationist and international human rights political stance presented in many of his recordings and in his speeches at rallies resulted in the Right-Wing McCarthyites incorrectly assuming that he must have been a Communist.

More Great Records on sale right now:

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The Grade (Excellent to Fair, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

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