J.S. Bach: Violin Sonatas & Partitias BWV 1001-1006 [Import] S Kuijken 3-lp box

  YOU ARE BIDDING ON the following  German Harmonium Mundi piece: J.S. Bach: Violin Sonatas & Partitias BWV 1001-1006 [Import] S Kuijken 3-lp box. The condition is mint- with little sign of either play or wear on the vinyl. 

1. Adagio
2. Fuga (Allegro)
3. Siciliana
4. Presto

Though the key signature of the manuscript suggests D minor, such was a notational convention in the baroque period, and therefore does not necessarily imply that the piece is in the Dorian mode. The second movement, the fugue, would later be reworked for the organ (in the Prelude and Fugue, BWV 539) and the lute (Fugue, BWV 1000), with the latter being two bars longer than the violin version.

1. Allemanda – Double
2. Corrente – Double (Presto)
3. Sarabande – Double
4. Tempo di Borea – Double

This partita substitutes a Bourrée (marked Tempo di Borea) for the gigue, and each movement is followed by variations called double in French.

1. Grave
2. Fuga
3. Andante
4. Allegro

This sonata was later transcribed for harpsichord by the composer, catalogued as BWV 964

1. Allemanda
2. Corrente
3. Sarabanda
4. Giga
5. Ciaccona

In the original manuscript, Bach marked 'Segue la Corrente' at the end of Allemanda.

1. Adagio
2. Fuga
3. Largo
4. Allegro assai

The opening movement of the work introduced a peaceful, slow stacking up of notes, a technique once thought to be impossible on bowed instruments. The fugue is the most complex and extensive of the three, with the subject derived from the chorale Komm, heiliger Geist, Herre Gott. Bach employs many contrapuntal techniques, including a stretto, an inversion, as well as diverse examples of double counterpoint.

1. Preludio
2. Loure
3. Gavotte en rondeau
4. Menuet I
5. Menuet II
6. Bourrée
7. Gigue

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