JUDAS PRIEST, Point Of Entry USA 1st pressing LP [Heading Out to the Highway]
  $   20

 


$ 20 Sold For
Jun 29, 2018 Sold Date
Jun 2, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

  Judas Priest ?– Point Of Entry Label: Columbia ?– FC 37052 Format: Vinyl, LP, Album, Terre Haute Pressing  Country: US Released: 1981 Genre: Rock Style: Heavy Metal Tracklist A1 Heading Out To The Highway 3:45 A2 Don't Go 3:17 A3 Hot Rockin' 3:13 A4 Turning Circles 3:40 A5 Desert Plains 4:36 B1 Solar Angel 4:02 B2 You Say Yes 3:30 B3 All The Way 3:40 B4 Troubleshooter 3:47 B5 On The Run 3:42 Companies, etc. Manufactured By – Columbia Records Manufactured By – CBS Inc. Pressed By – Columbia Records Pressing Plant, Terre Haute Phonographic Copyright (p) – CBS Records Copyright (c) – CBS Inc. Published By – Arnakata Music Ltd. Published By – Arnakata Music Inc. Recorded At – Ibiza Sound Studios Mixed At – Startling Studios Mastered At – CBS Studios, New York Mastered At – Customatrix Credits Bass – Ian Hill (2) Booking – ATI (2), Peter Russo (2) Design – John Berg Drums – Dave Holland (2) Engineer – Louis Austin Lead Guitar – Glenn Tipton, K. K. Downing Lead Vocals – Rob Halford Management [Official Merchandising] – Great Southern Company Mastered By – Stewart Romain* Mixed By – Louis Austin, Tom Allom Photography By – Art Kane Producer – Tom Allom Written-By – Glenn Tipton, Tipton*, K. K. Downing, Downing*, Rob Halford, Halford* Notes Columbia, Terre Haute pressing with printed inner sleeve Recorded at Ibiza Sound Studios, Spain Mixed at Startling Studios, Ascot, England Mastered at CBS Recording Studios, New York on the CBS DisComputer™ System © 1981 CBS Inc. ? 1981 CBS Records © 1980 Arnakata Music Ltd. All rights in the U.S.A. and Canada controlled by Arnakata Music Inc. (ASCAP)  

USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL PRINTED INNER SLEEVE.

MATRIX:  SIDE A: º AL 37052-1C 1T  C7  /  SIDE B:  º BL-37052-1D 1T B 8.

SLEEVE: VERY GOOD, SOME SHELF, CORNER, EDGE AND RING WEAR.  SPINE NICK. INNER SLEEVE HAS TOP NICKS AND SEAM SPLITS.

DISC[S]: VERY GOOD+. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES AND FINGERPRINTS. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



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