JULIAN PRIESTER "Keep Swingin'" LP, Shrink, NM/NM, Riverside Stereo, Flanagan..
$
56
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Description
Condition:
AMG Review by Scott Yanow
Trombonist Julian Priester sounds very much under the influence of J.J. Johnson during his debut as a leader, a Riverside date reissued on CD in the Original Jazz Classics series. The repertoire is comprised of four Priester originals, one apiece by Jimmy Heath (whose tenor makes the group a quintet on five of the eight songs) and baritonist Charles Davis, and two standards. Priester is heard in his early prime on a warm version of "Once in a While" and plays solid hard bop with pianist Tommy Flanagan, bassist Sam Jones, drummer Elvin Jones, and sometimes Heath on this swinging, modern, mainstream session.
Julian Priester ?– Keep Swingin'
Label: Riverside Records ?– RLP 1163 Format: Vinyl, LP, StereoCountry: US Released: 1960 Genre: Jazz Style:
TracklistHide Credits
A1 24-Hour Leave Written By – Jimmy Heath 7:00 A2 The End 3:48 A3 1239A Written By – Charles Davis (2) 3:03 A4 Just Friends Written By – John Klenner, Sam M. Lewis 3:47 B1 Bob T's Blues 3:57 B2 Under The Surface 4:21 B3 Once In A While Written By – Bud Green, Michael Edwards (3) 5:18 B4 Julian's Tune 4:16Credits
- Bass – Sam Jones
- Drums – Elvin Jones
- Engineer – Jack Higgins
- Piano – Tommy Flanagan
- Producer – Orrin Keepnews
- Tenor Saxophone – Jimmy Heath (tracks: A1; A2; A4; B2; B3)
- Trombone – Julian Priester
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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