JULY 1st ALBUM PSYCH MASTERPIECE MINT ORIG 1968 EPIC LP
$
456
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· JULY – THE SELF-TITLED FIRST (AND ONLY) ALBUM (“JULY”) - ABSOLUTE MONSTER, KILLER PSYCH CLASSIC – ORIGINAL CANADIAN PRESSING (NOTE: THE DISTINCT COLUMBIA (US) MACHINE STAMP REVEALS THAT THE ALBUM WAS ACTUALLY PRESSED IN THE UNITED STATES AND IS ALMOST CERTAINLY U.S. MADE-FOR-EXPORT PRESSING TO CANADA) ORIGINAL 1968 EPIC RECORDS STEREO LP BN-26416
· ORIGINAL PRESSING
· IN OUR (NOT SO) HUMBLE OPINION, ONE OF THE GREATEST PSYCHEDELIC ALBUMS OF ALL TIME.
· ORIGINAL YELLOW EPIC LABEL WITH BLACK PRINT
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1C'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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July has come to be highly prized, mainly for the presence of "My Clown," which is considered to be one of the great psychedelic singles of all time. Tom Newman, who went on to glory as the engineer of choice for Mike Oldfield, handles the vocals for the majority of the album (the exception being Chris Jackson's "Crying Is for Writers"), as well as the majority of the songwriting. Tony Duhig, who later moved on to start Jade Warrior and Assagai, provides guitars and a strong sense of Indian music, although the greater part of his participation is via warbling and groaning guitars, and a fortunately blazing solo in the midst of the otherwise painful "Crying Is for Writers." Very good psychedelia, for the most part, but a bit dated in places and heavily influenced by much of the music coming from the direction of San Francisco at that time. The first six cuts are perhaps the most essential, going by the original vinyl release: "My Clown" and "Dandelion Seeds" are delightful, while "Jolly Mary" is simply good fun.
(EXCERPT FROM AN ONLINE REVIEW BY STEVEN McDONALD, ALL MUSIC GUIDE /ALLMUSIC.COM/)
July started out in the early '60s as an Ealing-based skiffle act working under the name of the Playboys, and then metamorphosed into an R&B outfit known as the Thoughts and then the Tomcats, through which John "Speedy" Keen passed as a drummer. The final Tomcats lineup, which evolved out of an unrecorded band known as the Second Thoughts, found some success in Spain when they went to play a series of gigs in Madrid in 1966. They returned to England in 1968, the group's lineup consisting of Tony Duhig on guitar, John Field on flute and keyboards, Tom Newman on vocals, Alan Jamesplaying bass, and Chris Jackson on drums, and changed they their name to July. The band lasted barely a year, leaving behind one of the most sought-after LPs of the British psychedelic boom (on the Major Minor label in England, and Epic Records in the U.S. and Canada). Their sound was a mix of trippy, lugubrious psychedelic meanderings, eerie, trippy vignettes ("Dandelion Seeds," "My Clown"), and strange, bright electric-acoustic textured tracks ("Friendly Man"), with some dazzling guitar workouts ("Crying Is for Writers") for good measure, all spiced with some elements of world music, courtesy of Tony Duhig (who has since come to regard July as an embarrassing element in his resume). Their first single, "My Clown" b/w "Dandelion Seeds," has come to be considered a classic piece of psychedelia while the album is just plain collectable, despite some shortcomings. The band separated in 1969, with Duhig moving on to Jade Warrior, Newman becoming a well-respected engineer, with Mike Oldfield's Tubular Bells to his credit, and bassist Alan James later working with Cat Stevens and Kevin Coyne, among others. Of the various reissues, Bam-Caruso's 1987 Dandelion Seeds is the most accessible, with Essex's The Second of July consisting of previously unissued recordings from 1967.
(GROUP’S ONLINE BIO REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THIS IS A RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Cover has TWO (20 cutout holes in the corners along the opening side
- Cover has a few tiny wrinkles along the spine
- The cover has a few tiny scratch marks on the front side (nothing significant)
- Minor shelf wear noted on the seams (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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