JUMPING JACQUES*SUGAR+SPICE*LP*SCAT*JAZZ*BREAKS*MINT*
  £   75
  $   99

 


£ 75 Sold For
Jan 16, 2005 Sold Date
Jan 6, 2005 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
eBay Sold at
 
save auction  

Description

****THE JUMPING JACQUES-SUGAR AND SPICE****LP*POLYDOR*184212*1969*UK*

ULTRA RARE IN DEMAND LP FROM JUMPING JACQUES (SEEN THIS GOING FOR 125 QUID,APARRENTLY HAS GONE FOR 200).FULL OF MAD FUNKY BEATS, JAZZ, BOSSA GROOVES WITH WORDLESS SCAT VOCALS BARBARA MOORE STYLE.

SIDE 1-1-SUGAR AND SPICE AND EVERYTHING NICE

           2-LOVE ME NOW

           3-SOMEHOW I FEEL I MUST BE DREAMING

           4-L'OPERA DES JOURS HEUREUX

           5-SOMEDAY WE'LL KNOW

           6-BANJO ITIS

SIDE 2-1-MISSISSIPPI MISCHIEF

           2-GOSSIP AND CHATTER

           3-STROLLING ALONG THE SEINE

           4-LET THEM EAT CAKE

           5-THROUGH A BRAZILIAN RAINFOREST

           6-OFFBEAT FUGUE

VINYL=MINT

COVER=EX(HAS SMALL NUMBER 127 WRITTEN THE BACK AND SMALL MARK ON FRONT,LOOKS LIKE ITS FROM A PRICE STICKER,APART FROM THAT ITS MINT)

HERES A REVIEW I FOUND ON THE NET.

 

from the liner notes: There's something new on the musical horizon, a fresh, bright form of expression, an innovation in rhythm, a real revolution in the use of the human voice: The truly different vocal-instrumental group THE JUMPING JACQUES. Thanks to an original and exciting musical concept, their leader, JACQUES HENDRIX, presents you with a brand new dimension in sound. You will be surprised by the diversity of the themes of this music, sometimes sweet, sometimes wild, but always rich, surprising, spontaneous and irresistible. The main innovation of THE JUMPING JACQUES on the technical side is the vocal rhythm sung by the extremely deep and yet flexible bass voice of JEAN STOUT and by the girl's voices reproducing, by means of nonsense syllables, the rhythms and chords usually played by electric guitars. All of this is underlined by the drums, giving an irresistible beat which entices you to dance. To this first rhythmic playback is added the perfectly homogeneous vocal line of the entire group. Then superimposed on this amazingly sonorous foundation, by means of re-recording, is the surprising and magnificent voice of soloist FRANCOISE WALCH. This voice is often doubled in the background by the subtle sound of a saxophone or flute, barely perceptible, but giving a beautiful and unexpected color. The absence of lyrics, replaced by new sounds and nonsense syllables, allows the human voice a wide range of expression and color.

 

 

 


price rating